Universal Players that do not convert DSD to PCM?

Jeff ... thanks, I understand that DSD is a delta-sigma modulation. Don't be fooled that its high sampling rate makes it superior to DVD-A because delta-sigma convertors require a MUCH higher sampling rate than PCM systems so that they can track a high slew rate in the signal with their single bit. DSD and PCM have different shortcomings, though both should be audibly superior to redbook CD.

Metralla ... you may have said "please", and "regards" but your post was still unnecessarily curt and condescending, and your followup post contained virtually no extra information, links etc. If you're going to denigrate others at least have the grace to educate us.

Iszak ... 2" 24 track onto 1" analog master is great for sound quality ... I agree. DSD direct off the analog master will be fine quality. I suspect that a DSD from a 24/96 or 24/192 PCM would also be pretty fantastic. Older ADCs are probably less good.

And you still need good mics, placement, a good room, and an engineer who doesn't feel the need to use every single piece of rack equipment to perform the mix. These things make more difference than the whole analog/PCM/DSD issue, but are often overloked by the audio crowd.

Izsakmixer...Thanks for reminding us that analog masters are still around. In fact very many brand new SACD (at least in the classical area) are reissues of historic performances from as far back as 1959 (Bruno Walter/Columbia Symphony/Mozart Symphonies 38 and 40 is one I just bought). However, in all cases that I know of the multitrack analog masters have been digitized, often "cleaned up" in ways that can only be done in the digital format, and mixed in digital format. Digital recording and mixing was with us for LPs, so I recon there must be a lot of digital studio equipment around.

Metralla ... you may have said "please", and "regards" but your post was still unnecessarily curt and condescending, and your followup post contained virtually no extra information, links etc.

I'm sorry we got off on the wrong foot. I did not mean to get your back up - but obviously I did. I answered your questions correctly. Peace.

Regards,

http://www.superaudiocenter.com to read about the Sonoma workstation and native DSD, the high-quality analog tape shortage, and the new John Hiatt album, etc.

Check it out.

Tom

Listen to the new John Coltrane blue note reissue!
I mean a 40 years old recordin! It sounds insane good!

Eldartford! you are wrong on most being mixed digitally!
The matter of fact is the the process mostly involves a PCM workstation of some sort for edit and clean up, and then the outputs are going into an analog desk mixed (usually a Neve, SSL or euphonix) to analog 8 track and then DSD'd. Roxy Music, Franky Goes to hollywood, DOTM, all done like that.

DVD A crowd is a bit different, there are some studios like 5.1 entertainment who use PCM desks @96/24.