Behringer as DAC?


I have read several very positive posts regarding the Behringer EQ. Several members have reported it to be completely transparent except for its equalization effect, even in very high-end systems. Has anyone tried running a digital signal directly in? If it can disassemble and reconstruct the sound of a high-end player, doesn't that mean it is at least as good as that p[layer? Or do you need the high end player to somehow fill in the blanks between samples that the Behringer can't do? In other words, can I upgrade by selling my $7500 player and replace it with a $300 EQ and a $200 Pioneer player w/ a digitla output?
honest1
Smeyers...Just curious... but what exactly is the problem you experienced with the autoequalization process? It works perfectly in my system. And the build "robustness" seems OK to me. After all, this is pro sound equipment built to withstand the rough handling of road trips.
If you dont want to use the DACs in the Behringer and you place it between the cd player and the preamp using the analog input then you are not using the DACs in the Behringer. Is this correct?
Abrahavt
...If I understand your question, that is NOT correct. The DEQ2496 has an analog to digital converter (ADC), digital processing(equalization and lots more), and finally a digital to analog converter(DAC) for output. It has provision to bypass the A/D converter (if you already have digital to input) and to bypass the DAC if you want digital output. Either, or both.

It also makes coffee :-)
.
Eldartford, to answer your question, I found the EQ that the unit provided upon correction to sound very unnatural. The sound was muddy, hard, and nasal after correction. You might say that my ears need adjustment, and although this might be true, I was still not at all happy with the sound after adjustment. Although not perfect, I found using the Rives CD with a RS meter measurement to be much closer to what I was hearing. I then used to parameteric EQ bands of the Behringer to make corrections. I also wonder why the Behringer only uses the graphic eq portion of the unit to make corrections, since the center frequencies of the bands are static. You are only going to be able to be so precise with graphic eq.
Smeyers...Let's not start an argument, but I am interested in why we have different experience.

1..I cross checked the Rives CD with the RS meter, and found them to be in agreement over the full range of frequencies.

2..If you want to make the response something other than flat you can do this by giving the autoeq a contoured "target" response curve.

3..I have a hunch that the "parametric" and "graphic" equalization really use the same digital filter process to do the job, and just take commands and display settings differently. If so the sonic character should be the same. Certainly the analog parts of the signal path are the same. Do you use the "Trueresponse" feature of the graphic eq that eliminates ripple from adjacent frequencies?
I have a seven band analog parametric equalizer (center channel) and the DEQ2496 does a better job (and does it automatically).

4..The graphic eq is 1/3 octave. (RTA display is 1/6 octave). The parametric eq allows a sharper response but my system has no need. My objective is room mode correction. If you are trying to correct loudspeaker resonances a sharper filter might be useful.