Musical accuracy in subwoofers

Higher frequencies you may think are unaffected by a subwoofer, because they have no bass. Actually every note comprises a fundamental frequency and harmonics which comprises a much wider frequency spectrum than the fundamental note being played. This is why a high note played on a piano sounds different from the exact same high note played on a violin, which sound different from the same note on a flute, clarinet, oboe, and so on. The hardest thing for a full range speaker to reproduce accurately is the lower frequency bandwith.

Ever notice how a large open building like a cathedral or concert hall has a sound? You can sense you are in a large building. They have a certain ambience. A good musical sub will fill in the lower frequency spectrum of the instruments playing, as well as the room ambience you can feel, as well as hear. High notes become clearer when the whole sound is reproduced to the fullest.

Sugarbrie is right. To test for timbre I suggest the following:

Set your crossover point on the sub to its lowest possible setting, preferably to 30hz. Play a disc containing a lot of bass information at your normal listening level with the rest of your equipment switched off, so that you are solely listening to your sub. The sub, which allows you best to distinguish between a base guitar, a double base, the lowest notes of a concert grand and the low pedals of an organ has the best timbre. Cheers,

Right on Detlof! I was focused on the high notes because of Photon's question. The improvement in the low notes is also worth a listen. On some orchestra recordings I have; what was originally just the strings playing very low, became the Cellos and String Basses playing a very low cord with the sub added. I could hear the separate instruments better with the bottom filled in. If the cord changed slightly, for example the Bass Strings changing slightly from a E natural to an E flat against the cellos, it was much easier to hear clearly with the sub than without it.

Excellent question. It's probably that the timbre issue is the result of semantic confusion. Pitch accuracy coupled with low overhang should result in accurate timbre.

I don't know what "timbre" in a sub is; its just alot of fluffy adjectives the audio world has because the world of mathematics is beyond these forums, its not practical that's for sure. A loudspeaker driver just moves in-and-out to a series of electrical impulses and any non-linearity in that movement is called distortion. The sunfire has quite a bit more than alot of high-end subwoofers, 10% pushing its max. However since its small, it can use the corner of the room as a "horn" and operate more in the 3% range. Its an innovative sub, but giving no consideration to its design, strictly its performance; its just an average high-end sub; i.e. its not that accurate. Not to discredit you question, but I wouldn't worry about the issue of "timbre." You'll know a better sub from another when you here two. Timbre isn't an "attribute of a sub" to sort of use your wording, or any loudspeaker for that matter. All speakers do is reproduce the signal they get. My wording may not be the best. Put maybe another way, What kind of timbre would you want in a sub? None, you'd just want it to reproduce the signal its given. Technically, a phrase like musical accuracy (which I have caught myself typing in other parts of this and having to omit it, so I am guilty too) is redundant- accuracy is musicality so there's no reason to make distinctions in accuracy. Maybe it helped???