Ljgj, I had planned to stay out of this discussion so as not to color the responses, but since you ask, I'll be brief. Since I don't design drivers, I have primarily done various designs with stock/modified drivers. I started out with multi-way systems with simple and complex crossovers. I studied diligently, believing that if I could just get the right drivers and the right..... So, then I tried 2 way designs, same story. Now don't get me wrong, these were all good sounding speakers. But, all the tradeoffs. Slopes, cascading phase shifts with varying slopes, overlap problems, beaming frequencies, signal losses, driver matching, impedance fluctuations at varying frequencies with the corresponding response fluctuations, different driver phase shift angles added to the capacitor/coil phase shifts, corrective circuits, zobel networks, information loss, etc,etc. At some point, I became aware that if the whole ball of wax was simplified, more information could get through to the driver, with more coherent structure, due to the lack of the above. I am not promoting that any system is perfect. However, I am standing on the premise that more musical information, in a more coherent form will yield a more natural presentation, even if some aspects such as frequency extremes and even some dynamics are somewhat limited by the nature of a single driver. The idea being that a usable frequency range of extremely well resolved information is better than a wider range that has lost some of the information, and muddled it. Add point source imaging and my choice became clear. This information retrieval/retention theory has been standard in analog source design for years.You cannot retrieve musical information that has been lost earlier in the signal chain. I think it also applies to all other aspects of the system including speakers. I can see that I am in the small minority in this belief, but that does not deter me, nor does it mean that I am not correct. Perhaps the perfect driver has not come along yet, but if/when it does, the theory will prove itself. A driver connected directly to the amp, with no intervening components other than the necessary wire is the least offending structure to the signal we are trying to listen to.
Okay, the gloves are off. Let the fur fly
I would like to hear one single cogent technically accurate explanation of how a multi-way box speaker can be more musically accurate than single drivers or stats. As a speaker designer for more than 25 years, I have yet to hear an argument that holds water, technically. The usual response involves bass or treble extension, as if that is the overriding principle in music reproduction. My position is that any information lost or jumbled in the complex signal path of multi-way box speakers can never be recovered by prodigious bass response, supersonic treble extension, or copious numbers of various drivers. Louder,yes. Deeper,yes. Higher, maybe. More pleasing to certain people,yes. But, more musically revealing and accurate,no. I posted this because I know that it will surely elicit numerous defensive emotional responses. I am prepared to suffer slings and arrows from many directions. But, my question still remains. Can you technically justify your position with facts?
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- 58 posts total
- 58 posts total

