WHat about four speakers.......


When you are in a concert hall, sound hits you from all sides. Why arent there high end systems with four speakers; the listener would pretty much sit in the center, you get a box to delay the rear speakers ever so slightly to imitate those sound waves taking longer to reach your ears. What are the ups and downs of a second set of speakers behind you, even without any sort of delay? A few of you guys must have tried this, thanks......
mythtrip
see Dolby Digital 5.1 channel sound
see DTS surround sound
see DVDa multichannel sound
see SACD multichannel sound

All of these formats are competing for the multi channel music market (Dolby Digital 5.1 is mainly for movies).

Anyway, my biggest argument against multi channel music is all of the speaker cable or interconnect involved. Your either going to have to run some very long interconnects or very long speaker cables to 2 sets of speakers. This can have a serious impact on the sound quality of those speakers. Why would one want to listen to 3 premium sounding speakers then 2 speakers that were producing noticeably less quality of sound.

This dimished sound quality for rears is not as evident in movies due to the fact that most rear channel sounds are really not recorded terribly well. Most of the Movie sound comes from the L/C/R/ speakers.

KF
I agree with TWL. I think there is potential in multi-channel reproduction, but I have yet to hear it done "correctly".
I'm not sure this thread is exactly about quad... but that was certainly an attempt at this.

In my personal experience, I listen to (what I would like to call, if such a thing can exist) "4-channel stereo" much of the time. The only company I'm aware of that explicitly offers such a mode (5-channel stereo, just lose the center) is Adcom, and I haven't much enjoyed what I've heard or owned from them. I have an Acurus Act-3, which I purchased ONLY because it 1) will allow independent volume control over front vs. rear via a balancing adjustment, and 2) will allow me to hook everything up to it, HT (seldom-used) included. That said, I don't really like this unit much either.

I am definitely *not* a pre/pro expert (I try to pretend they don't exist) and that's the one place I always run and hide in this hobby... it's hard for me to select a pre/pro because all I really want is 4 channels (front + rear) with independent volume control to move the emphasis forward and backward, as needed. HT capability is also a nice thing to have, but in every unit I've researched, the HT angle seems to be all they are paying attention to, and good 2 or 4-channel non-altered playback is either impossible, or an afterthought. All the pre/pros I've ever looked at seem to display an enormous HT bias. I would rather have a pure 2x2 setup without all the delay and echo and who knows what these systems always seem to force one to use.

Are there any units out there that offer HT capability while offering a good 2x2 (stereo front + rear) mode without all the HT echo party/arena/stadium/jazz club hoo-ha? I'm ignorant in this arena, let that be said. Last time I looked, I was very, very discouraged.
I think I should chime in here, all of the above makes perfectly good sense and that was also the reason why I refrained from any experiments into that direction until I heard that Quad's Peter Walker had a speaker setup ( a wall of his stators) not unlike the one I had arrived at PLUS Quads (don't know how many though) arranged along the side (not back) of his listening room. When I had managed to obtain a pair of ESL63 from ebay at a very good price I started experimenting and finished placing the speakers at right angles from the main speakers halfway between them and my listening position fairly close to the side walls, firing at each other and giving them a dedicated amp and preamp, fed from the tape out of my main preamp, a Jadis 200. I have the dedicated preamp close to my listening position, so I can dial in the exact dose of side information for every piece I am listening to. The dialing in has to be done in very, very tiny increments and what is most important, seperately for the left and the right side, in order not to ruin sound stage information and the placement of instruments and voices therein. However if done right, it will give back ambience to overly dry recordings and add width and depth and a sense of immediacy to good ones. I will never go back to the classic setup and found this to be a great step forward in my personal enjoyment of my rig. However the step between enhancement and ruin of a presentation is very slight and it is frankly even more difficult than properly dialing in a subwoofer. I also think, that it is essential with such a setup, that main and side speakers should be of the same make, or at least similar in their voicing and characteristics and all this should not be attempted for the very reasons given above, if the auxiliar side speakers cannot be dialed in exactly for each LP, Cd or master tape being played. Cheers, Detlof
In the mid-'80s Sony put out a $600 ambiance/delay unit, the 505ES, a digital unit based on a combination of the features of two '70s analogue units by companies named Sound Concepts and Benchmark. The Sony unit delays and rolls off the sound to the rear speakers within programmable parameters, and the rear speakers have to be similar to but can be much smaller and less expensive than the front speakers. The real key, however, is that nothing requires you to run the front speakers through the unit. The result is convincing hall sound with no gimmicks, and nothing fouling up your megabuck front channels. Within a year Sony had screwed up later models with more bells and whistles, requiring you to run the front channels through the unit, and inflating the price. Then Lexicon came along and went even further. Fifteen years later, several friends and I have kept our old Sony units, had them rebuilt as to connectors and some wiring, and treasure them. In the meantime my front channel components have increased astonomically in price as I upgrade, and not one audiophile who has dropped by for a visit hasn't first questioned my sanity for keeping the rear channels in the system, and then been shocked at how much they contribute when I turn them off. Four speakers, yes, it can work wonders. Without a delay, I doubt it would help much. As to what's possible or available now, who knows what the right manufacturer has done or could do if someone could just keep it from mucking it all up with more "innovations"....