Walking that fine line: What would you do ?


I recently installed an amp on loan from a friend in one of my systems. We swapped amps just to "compare notes". I had an amp that he wanted to hear and vice-versa. The fact that we are a couple of States apart makes it hard to do first hand comparisons with each other, so we have to be selective, especially with amps. Between the shipping costs and the potential damage, this is the first time that we've done this. If we were both happy with the results, we were simply going to swap amps and compensate the differences in cash.

As it turns out, i like the amp quite a bit. It seems to be a good match for the preamp and speakers that i'm using it with. There is only one "problem". Whereas the system has always sounded very musical with good accuracy ( hard to achieve ), i've now moved up a notch on the "accuracy" scale. I'm now hearing a little deeper into the discs. While most would call this a step in the right direction in terms of being "revealing", i'm beginning to think that it is "annoying" and "distracting". Don't get me wrong, the amp / system sound quite good, maybe the best it ever has. It is not "etched" or "analytical" by any means. I could use all of the superlative's to describe what i'm hearing, but i've now got one nagging problem.

I can now hear just how much the engineers are "twistin' knobs" on several recordings that previously sounded "warm and sweet" i.e. very enjoyable with no distractions. One in particular is Diana Krall's Love Scenes. On some songs, you can easily hear the faders come up as she begins to sing and drop down as she stops. This is evident as the noise floor increases and you hear more hiss. When the mics are open, you have less of a "black background" between musical notes from the instruments. On some of the other songs, they simply leave the mic open most of the time and you hear hiss throughout most of it. On a few others, the leave the mic open, then fade it in a few spots, open it back up, etc... Some of this was obvious before, but not anywhere near the extent that it is now.

While most of us would not consider this a big deal, it kind of gets annoying after a while. To me, it's kind of like looking for a smaller hidden picture within a much larger picture. Once you find it, it is all that you can concentrate on. How you could've missed it for all that time is beyond you. So it is with this system now. In other words, these "small details" now distract me from the "big performance" taking place.

Has anybody else run into a similar situation and what did you do ? I'm open to suggestions as i'm kind of twisting and turning on this one. I like the amp a lot, BUT.... Sean
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sean
Sean,
This type of issue comes up every time I add a different component into my system. The root of the problem is an inability to be satisfied with whatever components are in the current system. The question that I would ask would be, "Does this change make me listen for specific noises or does it make me listen to the music as a complete entity?". If it made me listen to the music as a complete entity then I would consider it an upgrade. If it made specific sounds more apparent then I would not make the change. This new philosophy has helped me enjoy my system more than any new component has in quite a while. Good Luck.
I've been at this stage before, but never to the point of having SO much of both aspects of sound reproduction ( musicality and accuracy ) at he same time. It usually either leaned one way ( musical ) or the other ( analytical ) to some degree.

I did have this system to a point where every recording that i put on it sounded VERY good and extremely "pacey". You could not help but want to at least tap your fingers and toes or more literally shake, dance and shout when listening. I could go from swooning over Diana Krall to stomping with Monster Magnet with ease. The system literally seemed to have "life" in it. Like the "tinkering idiot" that i am though, i kept substituting / trying out things with the hopes of making it "even better". I monkeyed with it so much that i forgot what components / cables i had where. As such, i'll probably never be able to get back to that specific combo.

That system probably did not have the resolution that it does now, but it was SO musical that i wouldn't have cared. Personally, i would rather be swept away by the music and sacrifice some of the very tiny details than vice-versa. If i can get this system back to where it was or somewhere very close, i HAVE learned my lesson. LEAVE WELL ENOUGH ALONE and KEEP A LOG BOOK !!!!! Until then, i'm going to keep trying. I've got more discs to listen to before i pass final judgment on this amp. Sean
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PS... Sugarbrie, i agree about the reverb / hollowed out effect. I've noticed it before on some specific components with some being more pronounced than others. I always backed away from combo's that made this aspect of the recording so prominent. How many otherwise excellent performances were ruined by inept production and engineering ?!?!?!

Abstract: I hear ya. That is one reason why i have several very different systems set up within the house. Not always convenient to have to run between them to listen to different discs, but at least i have that option.

Sean,
If the Power amp that you sent out, made you FEEL like the music was moving you, and the musicality rate was at a higher, more soul satisfying level, IT is the amp to use.
To hell with added detail and accuracy. It is really that simple. When its right, your body tells you, so you'll want to keep listening forever.
I dont know about the current crop of DG Originals, but the first 20 or so released, surpassed my DG LP copies and my identical first issue CD copies.....and by a huge margin......Frank
Sean
I noticed that Diana Krall's mike is mixed extremely hot to the point of distortion. I only have "When I Look In Your Eyes" by her and there are a couple of songs that the process you describe is very noticable. In the following link there was some discussion of this
http://audiogo5.iserver.net/cgi-bin/fr.pl?hbest&992031569&openflup&6&4#6

As for me, I've learned to live with it. Blame it on the engineers. But when they get it right, these minor glitches seem worthwhile
The goal of hi-end audio is to recreate live music at home. Can you hear all these craps in real life? I don't think so. The word "reference" is misuse. There is only one reference, it is the original live music.
The "reference" that you refer is what I describe as an "autopsy".
It is nice to look at a pretty woman at a distance, but when you go closer and do an autopsy on her. Very ugly and horrible!