Can you ever go back and be happy?


My audiophile friends and I often discuss if we know any highenders who have great planar speakers (Soundlabs,Apogees,Magnepans) that could go back to a box enclosure speaker and could truely be satisfied with the sound of their system. We believe there is a special quality the way a well designed planar loads a room which just sounds more natural and real to us compared with a baffled speaker design. On to the question. Not including having to down size or change speakers because of $issues or logistics, having to move your sytem to a smaller space etc., have any of you GON members gone from a world class planar to a box enclosed design and were able to really be happy and not long for the "good old planar days". We do not personally know anyone who has ever done it and was truly happy about afterwards. It would be great if any of you fellow GON members can relate to this question through your own personal experience and share your opinions with us.
teajay
" I could never get used to 6' wide mouths of vocalists on planar speakers."

LOL, thats funny!, I'm glad my Apogees don't do that.

Dave
I had each incarnation of the Martin-Logan CLSes, with, and w/o subwoofers for many years, and loved them until the day they departed. In fact, I still love the sound of Quads, Logans, Soundlabs, Innersounds, and ETs when I have the occasion to hear them. I found, however, that I prefer listening to a few of the newest generation of box speakers because they have much of the inner detail, delicacy, and immediacy of panels, and a dynamic linearity that panels lack. I, apparently, am very sensitive to this. I have not missed the Logans at all.
Norm, the company out of Florida you're probably trying to think of is Acoustat. I see you've owned a few speakers :-) all of which I've heard except the Servo-Statiks. I've found those which employ a flat profile are more prone to the 'wide mouth' characteristic. One has to weigh the pros and cons; there are very few horns I could live with, not caring for their colorations and other tradeoffs.
Brian
Brian, yes Acoustat. Actually, if you hung a monster high voltage cap on them, they were very good.

I also think you are right about flat profiles. The SoundLabs had less of this problem, but still had it. There certainly are problems with horns and putting them together seamlessly, but nothing else even approaches realism in the speed of music. I am beginning to miss this in my Beauhorns although the Acapella LaCampenellas have better frequency range and are seamless.

As you can see, I am never satisfied, and I suspect there is no good speaker outthere. They all are hopeless compromises.
John (Jafox): Let me know next time you'll be down toward Chicago, and maybe the fellow who owns that system will let us come over :-)
Brian