Hi Hifi brings up some points that I'd like to comment on. He's right about the radiation pattern of the Sound Labs contributing to their relatively friendly room interaction, but I'd like to explore some of the reasons for this.
The radiation pattern of the Sound Labs is exceptionally uniform over a wide arc, either a 60, 75, or 90 degree arc (depending on the model). Now note that a dipole has a figure-8 radiation pattern in the bass region. As we go up in frequency and the panel's characteristics begin to take over, that figure-8 pattern is maintained all the way up the spectrum (especially in the case of the 90-degree pattern full size models). The result is not only an exceptionally wide, uniform sweet spot, but also a tonally correct reverberant field. This is extremely rare in loudspeakers, but is common among live instruments - and is one of the reasons live instruments sound better and more relaxing than virtually all loudspeakers.
Hi Hifi commented on the importance of a large room. Well, that isn't as critical with the Sound Labs as you might think. First of all, you don't need a large room to generate deep bass. Think of a high quality car stereo system, or as an extreme example headphones. The ears register pressure even if the room dimensions are too short to support a wavelength.
Now with a speaker whose reverberant field response is tonally incorrect, the more "room sound" you get the worse the tonal balance. But what if the reverberant sound isn't detrimental to the tonal balance? In that case, the size of the room is much less important.
Note that a piano sounds like a real piano in pretty much any room. And note that, in your living room, a concert grand piano will sound better than a little upright piano - even if ideally the concert grand piano should be used in a much larger recital hall. Well, the same principles apply to loudspeakers that get the reverbrant field right.
Sound Labs can be positioned quite close to the back wall, moreso than most planars. There are two reasons for this: The first is, they have plenty of bass to begin with, whereas most planars are barely ekeing out adequate bass so when the nearby back wall reinforces the out-of-phase backwave the bass response becomes too weak. Second, that faceted-curved panel has a focal point about two feet behind the diaphragm. This means that you can very effectively treat the backwave (either with diffusion or absorption) by treating that focal point. Actually, it's a vertical line running the height of the panel. The Sallie backwave absorber is one example of such treatment. I've heard Sound Labs sound wonderful with the back of the speaker's base only out a foot out from the wall.
I maintain that the radiation pattern of the Sound Labs is not just "different/unique", but rather that it has significant audible advantages over non-uniform radiation patterns (which covers just about everything else out there). And in particlar, I maintain that these advantages make it easier to get the Sound Labs to sound good in a wide variety of rooms.
In addition to the characteristics mentioned above, here's another benefit of the Sound Labs' radiation pattern: With most speakers, as you vary the toe-in your not only varying the relative amount of early sidewall reflections, you're also varying the tonal balance because it changes depending on whether or not you are "on-axis". The uniformity of the Sound Labs means you can vary the room interaction independent of the tonal balance! Now, the wide pattern does mean that, in most cases, you'll have significant early sidewall interaction. But that can be relatively easily addressed - I use a couple of fake ficus trees.
Regarding Teajay's post, let me say that I've had Maggie 3.6's side-by-side with Sound Labs, and while I agree that the 3.6 is an outstanding speaker in its price range, the big Sound Labs do some things audibly better. Of course the larger size helps the bottom end, but in particular the low-level detail and articulation on the Sound Labs was better. I kept wanting to turn up the volume on the Maggies to hear the details that were readily apparent on the Sound Labs. That being said, if I had the opportunity to become a Maggie dealer I would do so in a heartbeat - I think the 3.6 and below are very competitive in their price ranges.
Duke
The radiation pattern of the Sound Labs is exceptionally uniform over a wide arc, either a 60, 75, or 90 degree arc (depending on the model). Now note that a dipole has a figure-8 radiation pattern in the bass region. As we go up in frequency and the panel's characteristics begin to take over, that figure-8 pattern is maintained all the way up the spectrum (especially in the case of the 90-degree pattern full size models). The result is not only an exceptionally wide, uniform sweet spot, but also a tonally correct reverberant field. This is extremely rare in loudspeakers, but is common among live instruments - and is one of the reasons live instruments sound better and more relaxing than virtually all loudspeakers.
Hi Hifi commented on the importance of a large room. Well, that isn't as critical with the Sound Labs as you might think. First of all, you don't need a large room to generate deep bass. Think of a high quality car stereo system, or as an extreme example headphones. The ears register pressure even if the room dimensions are too short to support a wavelength.
Now with a speaker whose reverberant field response is tonally incorrect, the more "room sound" you get the worse the tonal balance. But what if the reverberant sound isn't detrimental to the tonal balance? In that case, the size of the room is much less important.
Note that a piano sounds like a real piano in pretty much any room. And note that, in your living room, a concert grand piano will sound better than a little upright piano - even if ideally the concert grand piano should be used in a much larger recital hall. Well, the same principles apply to loudspeakers that get the reverbrant field right.
Sound Labs can be positioned quite close to the back wall, moreso than most planars. There are two reasons for this: The first is, they have plenty of bass to begin with, whereas most planars are barely ekeing out adequate bass so when the nearby back wall reinforces the out-of-phase backwave the bass response becomes too weak. Second, that faceted-curved panel has a focal point about two feet behind the diaphragm. This means that you can very effectively treat the backwave (either with diffusion or absorption) by treating that focal point. Actually, it's a vertical line running the height of the panel. The Sallie backwave absorber is one example of such treatment. I've heard Sound Labs sound wonderful with the back of the speaker's base only out a foot out from the wall.
I maintain that the radiation pattern of the Sound Labs is not just "different/unique", but rather that it has significant audible advantages over non-uniform radiation patterns (which covers just about everything else out there). And in particlar, I maintain that these advantages make it easier to get the Sound Labs to sound good in a wide variety of rooms.
In addition to the characteristics mentioned above, here's another benefit of the Sound Labs' radiation pattern: With most speakers, as you vary the toe-in your not only varying the relative amount of early sidewall reflections, you're also varying the tonal balance because it changes depending on whether or not you are "on-axis". The uniformity of the Sound Labs means you can vary the room interaction independent of the tonal balance! Now, the wide pattern does mean that, in most cases, you'll have significant early sidewall interaction. But that can be relatively easily addressed - I use a couple of fake ficus trees.
Regarding Teajay's post, let me say that I've had Maggie 3.6's side-by-side with Sound Labs, and while I agree that the 3.6 is an outstanding speaker in its price range, the big Sound Labs do some things audibly better. Of course the larger size helps the bottom end, but in particular the low-level detail and articulation on the Sound Labs was better. I kept wanting to turn up the volume on the Maggies to hear the details that were readily apparent on the Sound Labs. That being said, if I had the opportunity to become a Maggie dealer I would do so in a heartbeat - I think the 3.6 and below are very competitive in their price ranges.
Duke
