Sloped baffle

Hi Lewinskih01,

Thank you for the questions.
1) The Classic woofer would go naturally to ~40Hz, then you would just fade in the subwoofer using its own its built-in crossover. There would be no crossover on the main speakers, which is a good thing. Also, you would then not have as much phase shift above 40Hz, compared to the main speakers needing a sub up at 60 or 80Hz- there you would hear the sub all of the time. This Scanspeak woofer would not have "an easier time" unless you are going to blast your music screaming loud.

2) on the Acourate approach, the first claim on their home page is
"The powerful software enables you
- to measure your audio system."
Yes, as do other measurement programs. None are doing anything wrong, but their measurement techniques do not match what we hear. A user will be misled by the limitations of its measurement techniques, unless he studies in detail the subjects I touch upon in that measurement-letter I wrote to sixmoons. No calculations can be right when they rely upon measurements that are wrong. An analogy is measuring a car's straight-line performance to tell how it corners.

On the other hand, I do know that after each 'good driver' gets a 'good Zobel' from you, a pocket calculator can then design your crossover. You verify its -3dB points on pink noise with spectrum-analyzer software, by measuring each driver up close. It does not matter if your microphone curve is weird, from your mic being so close, because you are only looking for what happens with and without your crossover.

The Acourate home page also claims you can use their software:
"- to display, interpret and process measurement data."
A novice user will not know how data is to be interpreted, compared to what is being heard.

It also claims
"- to establish correction filters for speaker drivers and the listening room"
For any 'correction', the software will be relying upon measurements having large flaws, as I explained in an earlier post. This includes it not being able to measure cabinet-surface reflections around the tweeter, and not being able to measure the floor reflections between you and the speakers in the same way as you perceive them.

Furthermore, no measurement made at your chair will be accurate below 500Hz, because of room reflections from your floor, the sidewalls, the wall between the two speakers, in that order. And since 500Hz is nearly an octave above middle 'C' on the piano, you are not measuring accurately much of the musical range.


I cannot see the need for expensive measurement software that gives inaccurate results, compared to how we hear. You will get far more use out of the analog test-gear I mentioned above, using less-expensive computer software as your spectrum analyzer, such as software sold by PartsExpress.com

Best,
Roy

Roy,

I looked up Zobel circuits on Wiki, but the theory got beyond me. Can you please explain what a Zobel circuit does in the context of speakers.

For example, my speakers have an impedance peak of 20 ohms at the mid/tweeter x-over point. Would a Zobel change the impedance presented to the amp.

At what cost? Less efficiency? Distortion? Does the Zobel introduce something into the circuit that wasn't there before. Nothing good comes at a cost of nothing bad.

Thanks

Bruce

Hi Bruce,

A Zobel circuit for any driver makes its crossover circuit perform more to 'spec'. Zobels can result in a flat impedance curve, making life easier for an amp, but this does not always happen.

The Zobel circuit for any voice coil is just a capacitor and a resistor placed in parallel with the driver, before any crossover is added. It is there to make that driver's impedance curve appear flat to its crossover parts, so that they work as you would want them to, in terms of 'rate of rolloff' and for your actual -3dB crossover frequency.

To determine the values for its cap and resistor, you can use an inaccurate pocket calculator equation, or you can measure the impedance curve of the driver as you try different values. This takes a sinewave signal generator and a good voltmeter. The driver under test is not in its cabinet nor hooked up to its crossover.

There are likely some internet sources for how to hook up the voltmeter and sinewave generator to measure the impedance of the driver + Zobel at each frequency. You can either plot the values on graph paper or in a spreadsheet, or just write them down.

The value at which that impedance levels off is what you then plug into a crossover-parts calculation as 'your driver's impedance'. Despite how carefully you measure, that impedance will be wrong to some degree.

That error happens because your Zobel circuit was used to flatten what you thought was that driver's electrical impedance, but you've been measuring instead its electrical + mechanical impedance(s). Therefore, you must adjust any Zobel to get what you want.

It would not affect your speakers' 20 Ohm peak because that was created by a higher-order crossover. Your speakers may have Zobel circuits built in to their crossovers, perhaps not visible in a schematic, as they may have been 'wrapped in' with the values of other crossover parts, through 'computer modeling' of that crossover.

If you added Zobel circuits to an existing speaker, most all of its crossover parts would then need to be changed. The end result may lower the impedance presented to an amp, but not enough to be of any concern. The speaker can become easier to drive, since the amp could see a more resistive load at all frequencies (= a less 'reactive' load that stores energy).

But then again, using any high-order crossover circuit in that speaker will more than negate this, because these crossovers make their own impedance curve. Smart designers can add more parts to make the final impedance curve look flat to an amplifier and to a magazine reviewer, but that's an illusion, as a complex crossover still lays between the amp and drivers.

The cost per Zobel is 'not much' and there is no loss of efficiency. No penalty at all comes from using Zobel circuits. Distortion is not increased if you use the best parts you can afford. A Zobel is 'all good'.

Best,
Roy

@Roy: Gotcha. As you say, the Paradigm Sig 8 (v3) 20 ohm peak may be high because Paradigm uses a 3rd order x-over at the mid/tweeter driver x-over point. What's that? About 24 db/octave??? Practically a brick wall filter.

Incidentally, it occurred to me that if the x-over screws up timing between the various drivers, with a 24 db x-over will frequencies covered by JUST the tweeter be out of phase within the pass-band covered by the tweeter, i.e., 2000 Hz to 45K Hz??

If not ... that's a large part of the acoustic spectrum that (2K to 20K Hz) IS phase coherent.

Just asking.

Btw, when I play my stereo, the neighborhood dogs sit on my front lawn and howl. I guess the high frequencies drive them crazy. Even my poor wife howls. LOL

Btw, btw, quality beryllium tweeter break up in the high ultrasonic range. They are super brittle, super light, and super fast. Don't know how the Be tweets compare to ribbons, but the Be tweets might give a good ribbon a run for its money.

I recall that you buy some of your drivers from Denmark. I think SEAS and/or ScanSpeak makes Be tweets. Have you ever considered using them for your speakers? Only problem I can think of is that Be is toxic. That's why I use a gas mask when I listen to my rig. HaHa. LOL

Well, I know you guys are looking to Roy, but to add just a bit to what he said... The idea of z-compensation is to control rising impedances. You can add resistance to tweeters to make higher impedances with some success as long as you figure the added impedance in your crossover, but z comp or zobel controls the amount of rise of impedance. The main importance is that your speaker is crossed at a given frequency at a given impedance (say 2k @ 8 ohms)... impedance swings can throw that out of whack... so it is possible for your impedance to actually vary as it plays. Next z comp also makes a consistent load to your amplifier. Also, everytime I have used Zcomp, it improved phasing also. I hope this helps, Tim