Record Grading...


There are reasons why to void Goldmine grading:

1. It doesn't assume testing a record by only identifying the visual usage intensity and intensity of scratches. Even noisy records that look great can be graded NM at your dissapointment when you start playing them.
2. Grading Mint sealed records may not be correct because the record could be so warped that it wouldn't play at all or will rumble too much so underneath the sealed jacket there could be the record that cannot even be G rated.
3. Record that clips-pops on one track with short duration should be by goldmine graded G even if the rest of songs are absolutely noiseless while noisy ones throughout all tracks can be graded VG+ if they look pretty. I disagree because the record that only has glitch on one track should be valued way higher vs. one noisy on all tracks.
4. Had received records VG+ where music is distorted due to the usage and large density of scratches(looks pretty though), but in reality it's not even G.
5. Nothing says in Goldmine standards about fingerprints and grease on the playing surface. Stains and fingerprints penatrate playing surface with accumulated dust over them and bring as much unpleasant noise as scratches or damaged grooves with poor and old styli tip.
czarivey
Record grading is primarily for collectors who value pressings, etc and often view LPS as investments...hardcore collectors rarely play their collections...they view this as degrading and potentially devaluing their records...Audiophiles/audio enthusiasts are more interested in how a record sounds, performs, or (mis)behaves. This is condition dependent as well, and causes some confusion as some of the early pressings (collectables) can be the most sonic pleasing of any given individual LP.
Phasecorrect, I don't think you're entirely correct.
I'm neither audiophile or crazy collector.
I only value artist and not really record issues at all.
Not directed at you my friend...or any one individual...all is well...its only music...but what else is there?
Record grading is primarily for collectors who value pressings, etc and often view LPS as investments...hardcore collectors rarely play their collections

This is generally true; but there are 2 types of collectors. I've known audiophiles who are collectors and will only take a record out of its protective jacket and play it on a special occasion, such as a guest who shares the same interest. He will know the market value of every record and keep them in a proper room climate to keep the collection in pristine condition.

Then there is the collector who lives for music and may keep his LPs in bins or milk crates and likes that he has rare or unavailable titles, or every issue of a certain recording. The quality of his stereo system is secondary to acquiring and listening to the music.
I only buy old used records. Clean them up and don't mind a few pops and clicks. What I don't understand is buying digital recordings that have been pressed onto vinyl?