Why not magnetic tapes in stead of vinyl records?


My understanding is that previously, original recordings were captured on magnetic tapes. The recording is then transferred to a metal stamper, which then creates the vinyl records we use at home. But, why don't they just copy the magnetic tape to other magnetic tapes and sell us those? I mean the same size and everything that the engineer uses. Then, audiophiles (at least some) would have nice magnetic tape players in stead of turntables.

I know people did use reel to reel for some time. I remember cassettes. But I don't believe people ever had an interface to play the big magnetic tape reels at their homes.
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Ralph says LPs are best and another party says tape is best and I pretty much agree with both statements.

How? If the tape is absolute top quality it will win. However, even "master" tape from sources like Tape Project can get walloped by LP, at least in my system.

One tape I have is undeniably the best, a true original safety from an artist done in his recording studio. This was back up tape for a recording session and so untouched, it is primitive hard left and hard right 2 channel (no mix down) and never duplicated. I'm guessing based on the music it was recorded on an Ampex 350. This tape kills every source, regardless and by a mile.

However, tapes from other good sources that are "master dubs" do not compare to this safety and sometimes not even equal to the best possible LP.

How might this happen? I suspect the true original tape is seldom pulled for anyone. A copy of this master is at hand and that is duplicated when required and sent out.

Now this user gets a "master" that's two or three generations away from the original and even Tape Project frequently dubs again to 1/2" and then that is copied over to 1/4" for subscribers.

Look where we are now compared to true master.

A friend of mine in the record business said that a digital master file at the studio was absolutely amazing and in some ways better than analog. However, the first time it's moved, transferred or copied something happens to it and it's never the same (his words).

So the answer to what is best quality depends. Tape potentially is supreme but most of us do not have access to even one of these at best example, much less a usable library.

As for why not tape instead of vinyl records, I think most points have been stated accurately. My comments are based on listening with my equipment and perhaps a better tape machine could change the outcome.

However, for me to spend more than I already have on a tape machine would be foolish. My Studer A810 with full restoration is already my most expensive source when divided by number of software titles. Basically, my LP library is the most precious thing in my system.
"A friend of mine in the record business said that a digital master file at the studio was absolutely amazing and in some ways better than analog. However, the first time it's moved, transferred or copied something happens to it al tdigind it's never the same (his words)."

No doubt, digital data can be replicated at will with NO loss if done with that goal in mind.

Usually, that is NOT the goal though. Data volumes involved and ability of commercial gear today to handle it is the probably the main reason. There may be other more "artistic" ones as well.

I would have to believe that the digital source formats possible with good pro gear today is capable of surpassing anything prior, but must be watered down still for most to be able to use it practically.
The long term storage of digital music files is problematic and most likely require the periodic porting of files to different (newer) file types. A record from 75 years ago can be easily played with some uncertainty about speed and EQ settings, but it can be played. It's not clear that a WAV file will be decipherable in 2089.
Onhwy61, Do you expect to be alive in 2089? Taiyo Yuden CD-Rs data retention is rated 100 years. Same for SanDisk flash memory. I need only 30 years - no issue for me.
This issue isn't whether it effect either of us, but how it effects future generations of music lovers. Will the music being produced today be accessible to them? A CD may physically survive, but will there be the specific hardware or operating systems needed to access the stored music?