SACD... can you hear the difference?


I'm fairly new to SACD as it's only been a month since I purchased my first player that takes advantage of the format. Some say even on a good system which is set up properly that they can not notice a difference between SACD and standard CD.

For example my Wife is a huge James Taylor fan. A couple weeks ago I found 2 original master recording SACD disks from a company called Mobile Fidelity Sound Labs. Both James Taylor just as she has on CD. I dialed them in perfect and OH MAN! To me the difference was like night and day, but she couldn't tell the difference in sound quality.

So either I'm imagining things or I'm able to pick up on musical pitch and clarity much better than her. I'm sure of what I'm hearing with no doubt, but she thinks I'm crazy.

Can anyone here notice how much better SACD sounds on their system verses a standard CD.
pigchild
A big, but little known, reason for the difference in perceived sound quality of CD's, and records, is the absolute phase of the recording relative to your reproduction equipment, including speakers. The Spectral preamp I use has a "phase reverse" switch-one of the reasons I bought it (and I would never even consider a preamp w/o that feature). Look at the Berkeley Alpha Dac details or the Spectral Audio preamps and you will notice "phase" switches which provide the capacity to "reverse" the absolute phase of the outgoing signal. If equipment wants to provide you "reference" level sound it must allow you to adjust for the general "absolute phase" of each recording!
Ptss - do you need a switch or is it possible to accomplish the same by reversing +/- at the speakers or at input to amp(s)? Honestly don't know...not trying to be provocative.
I use an Ayre C-5xeMP, Oppo BDP-105, and Sony XA5400ES as disc players. It seems to me that the difference between CDs and SACDs depends to an extent on the player. Both CDs and DSD can be excellent when played on the Ayre; DSD is far superior to CDs when played on the Sony, and pretty much equivalent to DSD played on the Ayre. Only the Oppo does analog surround, and DTS on Blu-ray is superb. I prefer either the Ayre or Sony for CDs and SACDs, and strongly prefer the Ayre for CDs.

For stereo, all three go through a Parasound JC-2 that feeds a Proceed HPA 3 that drives a pair of KEF Reference 107/2s.

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I would say that I can definitely hear a difference on 90% of the SACD's vs. CD's I own. Mastering does make a difference of course. To me, the difference is definition, i.e. seperation of the instruments (voice included). Audiophile SACD recordings such as "Songbirds" and "Seachange" by Beck will convince you. But... not to start a debate, but neither SACD or CD can touch vinyl on a "good" system. IMHO SACD and CD do not have the "air" and breadth of vinyl, though admittedly they are much more convenient.
I think the best vinyl of small groups, e.g., the 45 RPM of the Brubeck Quartet's Time Out, sounds a bit better than DSD, but I'm not sure that extends to large orchestrations.

Thorens TD124, SME Series III arm, Ortofon SME 30H cartridge, Parasound JC-3 phono stage.

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