USB printer cable VS USB audiophile grade cable?


I have converted to PC audio about 2 years ago and enjoying the hobby. I recently upgraded my DAC from a Benchmark DAC1 HDR to a DAC2 HGC mainly to download DSD files. I am now using a 'regular' 12 ft. Belden USB printer cable purchased at Office Depot which sounds great. The Benchmark uses asynchronous clocking system to re-clock incoming bytes from the PC.

I just purchased an audiophile grade USB cable (Furutech GT2 Pro-USB). To my great surprise, this Furutech cable just trounced the printer cable. Noise level is down, music micro-details are popping up and bass goes down much lower. I've listened to some of my older CD's which I am pretty familiar with and hearing details I never heard previously. So it has nothing to do with jitter, since the Benchmark is handling it. The 'bits are bits' theory, which I subscribed to has some cracks to it...

Before I purchased this cable, I was of the opinion that the only sonical gain I would get would be better immunity to EMI/RFI since the Furutech has greater isolation. However, this purchase turned out to be of much greater sonical value for about $300.

I am perplexed and very happy at the same time :-)

What is going on?
128x128dasign
There are a number of possible explanations that occur to me:

1)Electrical noise that may be transmitted from the computer to the DAC via the cable could to some degree couple "around" the DAC's buffer memory and jitter rejection circuitry (via grounds, stray capacitances in the circuits, etc.), and thereby affect jitter at the point of D/A conversion. The bandwidth and impedance characteristics of the cable will affect the amount and the frequency content of that noise.

2)Some of that noise may result from groundloop effects between the computer and the DAC, which in turn will be affected by the resistance and inductance of the ground conductor within the cable.

3)USB signals have substantial content at RF frequencies. The quality and characteristics of the shielding in different cables may result in differences in radiation of electrical noise from the cable into unrelated parts of the system (including cables and power cords as well as components), which may be sensitive to that noise to varying degrees at various frequencies. The sonic consequences of that can be expected to be arbitrary and unpredictable. The fact that your cable, or at least the previous Belden cable, is or was 12 feet long perhaps increases the likelihood of those effects.

4)Earlier Benchmark DAC's employed an Asynchronous Sample Rate Conversion (ASRC) approach to jitter reduction, which I understand is a technology that is not always 100% bit perfect when faced with significant amounts of jitter on the incoming signal. I suspect that is not applicable to the more recent DAC2 HGC model you are using, but perhaps it too is not 100% bit perfect under some circumstances?

I would add, however, that IMO none of this necessarily suggests that a high degree of correlation between performance and price should be expected among the various audiophile-oriented cables that are available. It also does not suggest any reason to expect a high degree of consistency between the sonic results provided by a given upgraded cable when used in different systems.

Regards,
-- Al
Hi Al,

I think we are getting somewhere. The overall resistance of the individual cables composing the Furutech USB should far less than the printer cable which are probably run of the mill copper cables with high impurity levels.

The Furutech cables are silver plated OCC conductors for minimal resistance and connectors are 24K gold plated. They also have 3 layer shield construction. They aslo use special damping and isolation materials for best frequency extension and tonal balance.

I'm with you on the pricing aspect of the audiophile grade USB cable pricing. For me, manufacturing a decent USB data cable is somewhat less challenging than building a good quality XLR interconect cable in the analog domain. While I have invested some decent money on my XLR interconnects ($2K), I was not ready to put more than a few hundred bucks on an audiophile grade USB.

I've been using Furutech products (wall plates, connectors, cable,etc.) for a few years with great satisfaction and was surprisingly pleased with my recent USB cable purchase.

Digital audio was less than perfect when it started in the 80's but have come along way since then. It is so convenient to change CDs directly from my seat using Jriver's JRemote. Cymbals are just starting to sound rigth :-)
Al,

Excellent post!

There certainly is *not* a direct correlation between price and performance
and I also concur that USB cables may not produce the same results from
system to system. That said, there are a few well-designed USB cables out
there that mange to intelligently address some of the challenges you cite
and, as a rule, these cables perform better than stock USB cables and
more consistently so when it comes to delivering music files.

Nonetheless, the wide variety of computer systems and the noise they
create does pose a significant challenge to designers of the USB interface.
for me furutech did not work out,it just sounded exaggerated,enhanced bass, recessed midrange,fatiguing highs.Printer cable really had variuos noise issues.I made usb cable from flat red copper "tasker" cable.And it works fine
Extravaganza,

Excuse my question, since English is not my first language, but what is a red flat tasker cable? Where can you purchase such cable? What is the dielectric used in your cable and which USB connector brand did you use to build your cable? Just curious...