I have a fair amount of experience with the GCPH - I have owned it since they shipped the first batch and am a huge fan of PS Audio gear.
I recently compared the GCPH to a Tron Seven for a few days in my system.
I really had to switch back and forth quite a few few times before I was able to discern what the Tron was doing better than the GCPH. Also keep in perspective that the Tron is 4 times the cost of the GCPH. The Tron, being a tube unit that owners of Steelheads have sold to get a Seven, had a bit more 3d fleshed out , and presented more real sounding instruments. But as I said - I had to keep switching (something I could do in about 20 seconds while an LP was playing) to get a hold of the differences.
The GCPH modded by Underwood is supposedly a nice improvement.
see the review at http://www.10audio.com/psaud_gcph.htm
I had my PS Audio GCC amp modded by Underwood and the mod was a big step up from an already very good product.
I ran the GCPH into the GCC control amp with gain as well as directly into a pair of Atma-sphere MA1's these were both via XLR.
One thing I found is that with a .5mv Celebration cart, the GCPH doesn't quite have enough gain. I ended up running the GCC amp at full gain often to get a decent level. The 60db Tron had much more gain than the "66db" rated GCPH.
So while connecting directly to an amp is a great idea (and what I am doing right now while I await an H-Cat preamp) you need a high output cart or step up to make it practical.
Since the volume has no printed marks, I added my own printed scale made with a P-touch because after a certain point the (maybe 3/4 gain) the sound becomes a bit hard (PS Audio points this out in their manual) and I needed repeatable volume settings for comparisons.
If I added a transformer - the GCPH would have enough gain I'm sure, but I never invested in one since I had decided to go with the Tron.
I really do like the loading and gain options (not to mention balanced and unbalanced out) of the GCPH - the product is a winner, especially in it's price class.
I recently compared the GCPH to a Tron Seven for a few days in my system.
I really had to switch back and forth quite a few few times before I was able to discern what the Tron was doing better than the GCPH. Also keep in perspective that the Tron is 4 times the cost of the GCPH. The Tron, being a tube unit that owners of Steelheads have sold to get a Seven, had a bit more 3d fleshed out , and presented more real sounding instruments. But as I said - I had to keep switching (something I could do in about 20 seconds while an LP was playing) to get a hold of the differences.
The GCPH modded by Underwood is supposedly a nice improvement.
see the review at http://www.10audio.com/psaud_gcph.htm
I had my PS Audio GCC amp modded by Underwood and the mod was a big step up from an already very good product.
I ran the GCPH into the GCC control amp with gain as well as directly into a pair of Atma-sphere MA1's these were both via XLR.
One thing I found is that with a .5mv Celebration cart, the GCPH doesn't quite have enough gain. I ended up running the GCC amp at full gain often to get a decent level. The 60db Tron had much more gain than the "66db" rated GCPH.
So while connecting directly to an amp is a great idea (and what I am doing right now while I await an H-Cat preamp) you need a high output cart or step up to make it practical.
Since the volume has no printed marks, I added my own printed scale made with a P-touch because after a certain point the (maybe 3/4 gain) the sound becomes a bit hard (PS Audio points this out in their manual) and I needed repeatable volume settings for comparisons.
If I added a transformer - the GCPH would have enough gain I'm sure, but I never invested in one since I had decided to go with the Tron.
I really do like the loading and gain options (not to mention balanced and unbalanced out) of the GCPH - the product is a winner, especially in it's price class.