Here's another question. How much does a soundstage such as one that might be described as being holographic with clear placement of instruments rendered in a lifelike soundfield weigh on speed, or detail? Could this clear delineation of spacing and placement be construed as detail since it adds information to our perception of the experience?
Interesting, because what I've tried to describe is what many people might experience in a SET based system. A system most people wouldn't consider fast. And that's why, I think Puremusic's inclusion of "dynamics" has great relevance. Is detail then as Puremusic mentions limited to the frequency domain?
Tvad, I think one area I'm in the distinct minority here is that I consider a system that has good PRaT to be fast. And also that a system with good PRaT need not be highly detailed.
Interesting, because what I've tried to describe is what many people might experience in a SET based system. A system most people wouldn't consider fast. And that's why, I think Puremusic's inclusion of "dynamics" has great relevance. Is detail then as Puremusic mentions limited to the frequency domain?
Tvad, I think one area I'm in the distinct minority here is that I consider a system that has good PRaT to be fast. And also that a system with good PRaT need not be highly detailed.

