Does it still make that silly clicking noise when the volume is changed, how about the look of it ? Does it have those cheep plastic rings still?
The final Act in a study in preamps the ART 3
Tom Cruise is rescuing a female agent he trained in Mission Impossible 3. He finds her alive but weak . He needs her to jump up and save the world with him so he shoots her in the chest with a jolt of adrenaline . She was alive technically but now she instantly becomes superwoman..... for while anyway. Thus goes the saga of my latest personal occupation . The study of a few remarkable preamps.
I did an "impression" of the CJ Act 2. I then did a follow-up on the replacement , the Act 2.2. The 2.2 was the superwoman injected with the adrenaline to be sure. It certainly was capable of conquering the world with Tom but alas, the story takes another Hollywood twist : Enter the Conrad Johnson ART 3 .
This again is an impression piece and this starts a series of posts dedicated to resolving this work of ...." Art".
There will only be 25 made , half are already sold and at 25k , doesn't fit into many audiophiles budgets. I am lucky to be without kids , with an incredibly understanding wife and have the time, passion and patience to address this study competently. It has about 50 hours on it , hardly enough to press a key but what needs too be stated are a few obvious differences between the Act and Art series of valve preamps from Lew and Bill.
The system it is being evaluated in is as follows. Aerial 20 T main speakers , 2 Aerial SW 12 subs , Conrad Johnson LP 140 Monoblocs , APL Hi Fi NWO 2.5 Universal player , Kubala Sosna Emotion cables . Sound Application RLS conditioners , Sistrum stands.
The Art starts deeper in the Yin region initially than either Act siblings. The Acts ability to settle comfortably inside itself is really interesting to watch... or listen to. The Act fidgets around moving up towards neutral as it fleshes out its unique sonic character and strengths . Then it emboldens the midrange blooming luxuriously as the Teflon caps mature into something that draws you inside its world of color and speed. This phenomenon seems to settle it back into the yin where the midrange takes you ... " body and soul . " It never however loses its grip on transparency , immediacy , leading edge definition and ambience retrieval. The 2.2 however continues the evolution and struts its sonic wardrobe in unimaginable directions and leaves you passionately involved with your beloved music library.This is the moment we wait for : the connection to the music that literally moves you and keeps you glued to your seat for hours on end. It is simply what CJ is famous for. Whether I regret losing the 2.2 over the ART 3 will remain to be seen as the Act 2.2 was the best sounding preamp I have ever encountered by a wide margin . We will also see if the adrenaline pumping superwoman will be overcome by this intimidating newcomer that is threatening to bump her from Toms side . This will be interesting indeed . Stay tuned for progressive follow-ups to the final chapter in a 3 part series of preamplifiers from one of the most beloved audio companies ever formed . Conrad Johnson.
Brent Rainwater
I did an "impression" of the CJ Act 2. I then did a follow-up on the replacement , the Act 2.2. The 2.2 was the superwoman injected with the adrenaline to be sure. It certainly was capable of conquering the world with Tom but alas, the story takes another Hollywood twist : Enter the Conrad Johnson ART 3 .
This again is an impression piece and this starts a series of posts dedicated to resolving this work of ...." Art".
There will only be 25 made , half are already sold and at 25k , doesn't fit into many audiophiles budgets. I am lucky to be without kids , with an incredibly understanding wife and have the time, passion and patience to address this study competently. It has about 50 hours on it , hardly enough to press a key but what needs too be stated are a few obvious differences between the Act and Art series of valve preamps from Lew and Bill.
The system it is being evaluated in is as follows. Aerial 20 T main speakers , 2 Aerial SW 12 subs , Conrad Johnson LP 140 Monoblocs , APL Hi Fi NWO 2.5 Universal player , Kubala Sosna Emotion cables . Sound Application RLS conditioners , Sistrum stands.
The Art starts deeper in the Yin region initially than either Act siblings. The Acts ability to settle comfortably inside itself is really interesting to watch... or listen to. The Act fidgets around moving up towards neutral as it fleshes out its unique sonic character and strengths . Then it emboldens the midrange blooming luxuriously as the Teflon caps mature into something that draws you inside its world of color and speed. This phenomenon seems to settle it back into the yin where the midrange takes you ... " body and soul . " It never however loses its grip on transparency , immediacy , leading edge definition and ambience retrieval. The 2.2 however continues the evolution and struts its sonic wardrobe in unimaginable directions and leaves you passionately involved with your beloved music library.This is the moment we wait for : the connection to the music that literally moves you and keeps you glued to your seat for hours on end. It is simply what CJ is famous for. Whether I regret losing the 2.2 over the ART 3 will remain to be seen as the Act 2.2 was the best sounding preamp I have ever encountered by a wide margin . We will also see if the adrenaline pumping superwoman will be overcome by this intimidating newcomer that is threatening to bump her from Toms side . This will be interesting indeed . Stay tuned for progressive follow-ups to the final chapter in a 3 part series of preamplifiers from one of the most beloved audio companies ever formed . Conrad Johnson.
Brent Rainwater
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- 25 posts total
- 25 posts total