Hi Paul, thanks for your kind words towards me. As to be expected from you, words of wisdom:
1) Everybody finally has to audition for themselves to really know what works for them.
2) That unless you use tube power amps the Lightspeed might lack depth in the soundstage and what I call image density or air around individual players. Also tubes still offer, regardless were you have them in the chain, more natural timbres and the the body of the harmonic then SS or passives in my opinion. When I heard the Lightspeed it was with SS amps not tube amps. That's why I believe Paul gets such great performance out of this passive because he does use tube based amps. For me in my system I like SS amps with a tube based linestage to get what I'm looking for sonicly.
To respond to another great GON gentleman, Clio09, who was nice enough to even offer sending me his Lightspeed for me to audition and we have had nice chats regarding his experience with Concert Fidelity gear and his personal relationship with Mr.Tsuda. I'm not attacking George or his product. If you find it appealing to what you refer to in George's attitude as, "a bit cocky", I personally don't like arrogance in any form by anybody. You know George personally I don't, I still think he comes across not as a designer/builder with great confidence or pride over his product as he should, but somewhat condescending towards other viewpoints other then his own.Was your own example regarding that Nelson Pass on a DIY board posted a different version of the LDR proves that George ranks with some of the great designers of the audio world? My take on this is Nelson Pass is open minded about experimenting with different designs, gives credit when credit is do, and is the antithesis of cocky or arrogance. Enough said.
Clio09,when I used the term that George was forcing his product on this thread this was refering to how he comes across to me as being somewhat of a salesman, with the position that his take on what a linestage should offer is the only objective/correct one and this thread was turning into great unpaid advertisement for his piece. Finally, I don't care what happens on AA, my comment was regarding that I have no historical awareness that Ralph or any other well known designer has ever pushed as hard to sell his product as George has, if you can remember someone please share.
1) Everybody finally has to audition for themselves to really know what works for them.
2) That unless you use tube power amps the Lightspeed might lack depth in the soundstage and what I call image density or air around individual players. Also tubes still offer, regardless were you have them in the chain, more natural timbres and the the body of the harmonic then SS or passives in my opinion. When I heard the Lightspeed it was with SS amps not tube amps. That's why I believe Paul gets such great performance out of this passive because he does use tube based amps. For me in my system I like SS amps with a tube based linestage to get what I'm looking for sonicly.
To respond to another great GON gentleman, Clio09, who was nice enough to even offer sending me his Lightspeed for me to audition and we have had nice chats regarding his experience with Concert Fidelity gear and his personal relationship with Mr.Tsuda. I'm not attacking George or his product. If you find it appealing to what you refer to in George's attitude as, "a bit cocky", I personally don't like arrogance in any form by anybody. You know George personally I don't, I still think he comes across not as a designer/builder with great confidence or pride over his product as he should, but somewhat condescending towards other viewpoints other then his own.Was your own example regarding that Nelson Pass on a DIY board posted a different version of the LDR proves that George ranks with some of the great designers of the audio world? My take on this is Nelson Pass is open minded about experimenting with different designs, gives credit when credit is do, and is the antithesis of cocky or arrogance. Enough said.
Clio09,when I used the term that George was forcing his product on this thread this was refering to how he comes across to me as being somewhat of a salesman, with the position that his take on what a linestage should offer is the only objective/correct one and this thread was turning into great unpaid advertisement for his piece. Finally, I don't care what happens on AA, my comment was regarding that I have no historical awareness that Ralph or any other well known designer has ever pushed as hard to sell his product as George has, if you can remember someone please share.

