EQ before Preamp?


I am switching my preamp from a Parasound P3 to a Jungson model that does not have a processor/tape loop like the Parasound does. What will happen when I use this signal path: Linn Kremlin > Behringer 2496 EQ > Jungson Preamp > Power Amp.
joeylawn36111
Eldartford- I use Behringer equipment all the time when doing installs for venues, and gigs for a few bands(the cheapskate ones). I've been in them. Sorry to burst your bubble: I've yet to see one Burr-Brown(DAC/ADC/IC/transistor) Vishay, Caddock, Holco or Ohmite Gold(resistor), Black gate, auriCap, musiCap, V-cap, Solen, RelCap(capacitor), Schottky Diode, toroidal transformer, gold/rhodium plated oxygen-free copper(or even Switchraft) input or output on any of the pieces I've worked with. That goes for 95% of the other professional equipment I've dealt with in the last 30 years as well(except for maybe the Switchcraft parts). These components are found in virtually all of the higher-end audio pieces(I'm not referring to mega-buck units either). The pro manufacturers simply cannot build their gear with high performance parts, and sell it for 200 to $300.00(in the case of the 2496). OH- I forgot: It all sounds the same, right?
Rodman99999...There are bubbles and there are bubbles. Some say rhodium anything is to be avoided, and black gate capacitors aren't anything special. Burr-Brown has no monopoly on good A/D and D/A converters. But, you are entitled to your personal bubble.
Eldartford- Have you ever used any Black Gates in anything? Some say salt, sugar, white flower, beef, MSG, sunlight, etc, etc are to be avoided. Do you? Burr-Brown is recognized in the industry as one of the best. My bubble is one of experimentation and experience with components, in audio equipment over the last 30 years(started by modding new Hafler amp kits for my customers), a love for the sound of live music (as a sound tech and musician), and an extensive(35 year) familiarity with professional equipment. Blah, blah, blah. I'll just enjoy this little bubble, and the Julian Hirschs(I don't ever listen to live music, but I have a pretty good idea what it sounds like") of the world can enjoy theirs. Just think of all the money I coulda saved if everything sounded the same to me too. DARN!!
Umm, Eldartford used to design electronics for nuclear submarines or something like that - he knows his stuff.

Also, I would like to get back on topic here. The Components again are as follows: Linn Kremlin Tuner, Jungson JA1 Preamp, Behringer 2496 EQ, Monster MPA-2250. Those components are 'set in stone' - I just wanna know if there is any MAJOR problems (like overloading circuits - like when you plug a line level device into a phono input-a big no-no). Will, for instance the pre-amp signal 'clip' if I insert the EQ between the preamp and power amp?

***PART 2 - UPDATE - Additional related Question***

For the Subwoofer. The Jungson doesn't have a second line out. My sub is an (Active) Super Nova. The way I plan to hook that up is take a second set of speaker wires from the amp outputs to the speaker-level inputs of the Sub. Is this right?
Joeylawn- I have no doubt that he knows a great deal about electronics as relates to Naval Warfare. How much of that experience translates into creating the illusion of live music, played by real musicians, in the original venue in the listening room? That has been, is now and always will be the goal of true high-end audio, though it's not everyone elses goal obviously. He made the statement that Behringer equipment(and/or other pro gear) is built using the same quality components as high-end audio equipment, which is completely wrong. That is what I challenged. I've been working with pro gear for 35 years, working on it for 30, and I know better.