Class D amp with Tube Preamp Combo?


Have you ever tried a good class D/T amp & tube preamp combination? I have read their can be some occasional problems matching these together?

I was thinking of going this way to get the drive, clarity and efficiency of the switching amp combined with the warmth and full body of the tube pre amp.

What setup are you using?

My first post by the way! I have been reading this forum for the last two weeks learning about audio and what to buy for my first serious system.
jaffa_777
To a great extent, component compatibility is unpredictable, and the only way to really know is to actually try different combinations. However, as a general rule, I have found that the idea of mixing and matching so that the strengths and weaknesses of one are "balanced" by contervailing strengths and weaknesses of another hardly ever works out; one tends to lose the good qualities of each as a result rather than attaining balance.

I have tried solid state linestages with tube amps, as well as the other way around, and while some mixes worked out reasonably well, for me all tube worked the best. Some of the worst combinations I tried were tube linestages feeding solid state.

I've only heard the Bel Canto Class D amp and a very expensive Rowland (@ $14k). A bunch of friends had fun trying the Rowland in their systems. The Rowland worked best in a system where it was fed by a balanced Hovland preamp. While "not bad" in this system, it did not sound great either. The top end seemed shut down and microdynamics were slightly blunted.

In the other friend's system, which is a very sensitive and very picky custom horn system (fed by a custom tube linestage), the Rowland sounded much worse. It had an odd, unnatural sound that I could not exactly place what was wrong (not an obvious tonal problem). Again, the top end was almost completely missing, but, more troubling was a loss of the sense of notes naturally blooming into space and decaying naturally. Musically, the system lacked "soul" and sounded lifeless compared to what it sounded like with very small triode amps. It may be the case that the amp would be at its best delivering much more power as these speakers require very little power (they are about 106 db/w efficient).

Both of these systems have been carefully constructed over the course of many years, so a quick drop-in test hardly says anything about the inherent qualities of the Rowland amp. But, it does demonstrate that they are hardly the panacea for any ALL systems.
Hi Larryi, JRDG has made many amps in the course of their history. Which model did you listen to? 1, 201, 9, 3, 5, 112, 301, 7, 302, 7M, 6, 8, 312, 12, 501, 8HC, 9T, 102, and a few more? Some are switching amps, and some are not, some have been great sounding, while some have been just great experiments.
A fantastic, yet simple, system employing class D is a PS Audio GCC 100/250 or 500. Great value and outstanding sound when combined with the right cables. My favorite speaker cable is Clear Day solid Core Shotgun or Double Shotgun. DS is clearly better but almost twice the price. My CD player is a Raysonic 168. Speaker choices will depends on how much space you have, whether that space is dedicated to audio or shared and what type of music you listen to.
07-24-08: Guidocorona asked:
"Hi Dave, did you mean Spectron digital amps rather than Spectral? Spectron Mus 3 is a fabulous switching amp!"

Sorry, yes I meant Spectron.

Dave
I have a Supratek Sauvignon using balanced IC's into a Spectron M3 SE and the combination is wonderful.

Your words are exactly what I'm hearing, also I'll add quiet,extended,smooth,transparent,dynamic,and finesse.