Line Stage battle: ARC LS26 vs Aesthetix Calypso

Kind of tough to compare the two unless you've owned & experimented with both. However, as an owner of the Calypso, I can say from experience that the Calypso can be transformed from very average to exceptional with the addition of $500 to $1,000 in NOS tubes, with emphasis placed on upgrading the 12AX7's.

I witnessed drastic improvement upgrading stock & new production tubes to NOS Mullard CV4004's in the 12AX7 slot & Tesla 6922 gold pins. Experienced further, albeit less dramatic improvement upgrading the Mullard CV4004's to the pricey Mullard 10M Gold pins.

I have no need to try a different preamp for the foreseeable future.

I'm not surprised you got the kind of gains you described upgrading the tubes & pins. Did your upgrade come in under $1000 all together? Given the ticket price of the less expensive Aesthetix pre compared to the ARC, you have to reason they had to economise somewhere, and it sounds like they've done that by installing the 12AX7's & CV4004's. With all that said, even after the money you've invested upgrading your Calypso, it's still on approximate pricing parity with the more expensive LS26. Perhaps a fairer comparison would be your upgraded Calypso vs a stock LS26?

I've never heard these units side by side in the same system.

I won't offer an opinion on how they sound next to one another, but just a general thought.

There are too many variables to consider when you are comparing preamps. Sonics aside, things such as how the input impedance and sensitivity of the amplifier matches up with the output impedance and output gain of the preamplifier, output specs of your source component, etc.

You need to really audition each preamp in your own system to tell which one is better. System synergy, component matching and how YOU like the sound is the key.

In my mind, LS-26 has it over the Calypso in several areas:
1. reliability. ARC preamps provide years of reliable service.
2. ARC is very quiet. However, there have been reports of noise in Calypso preamps.
3. features - adjustable gain on LS-26(Low, Med, High) gives you more flexibility with matching preamp gain to amplifier sensitiviy. I had an older LS-25 that had adjustable gain and totally loved this feature. If you have more thsan 1 source, or even want to switch gain just to see how it sounds with a differen output gain, this is a very oool feature.
4. more steps of volume control. ARC's 104 steps vs Calypso's 88 1db steps. Not a very big difference, but still a finer adjustment of volume is possible with ARC.

I have owned ARC tube preamps for over 10 years and none of them had any issues as far as reliability and all sounded great and were all super quiet for tubed units when used in balanced configuration within a fully balanced system. You may approach, but I doubt you will achieve, the sonics of the LS-26 with a Calypso by swapping tubes, but it won't be cheap and there are more tubes to worry about in the Callypso.

Also, considering the opinions of LS-26 users, it is very close in performance to REF3, which I think pretty much puts it above the Calypso. Calypso, as I see it, is more of a competitor to an older ARC LS-25 linestage, but not to the newer LS-26.

May be I'm biased, but with the features, reliability and sonics of ARC, it would be my first choice when it comes to these 2 preamps.

Research the specs of each preamp and how each matches to the specs of your amp.

But as I stated above, home audition is a must. Nothing substitutes a home audition.

Audphile1, thanks for your considered and interesting reply! I've also read the ARC LS26 is an exceptional pre at it's pricepoint & is very close to the Ref3, and that is a big statement given the Ref3's ticket price.

I appreciate your comments about ARC's reliability, as I had read one review which suggested otherwise (but only one).

Re: the Calypso, i've also noticed a lot of owners switching tubes after purchasing that pre, yet I haven't heard that kind of stampede to mod the LS26 whatsoever, so that sais something about how good it is straight out of the box.

The power amps which I will be buying to bi-amp my speakers have high current, so the LS26's adjustable gain would certainly be an advantage. I also like the LS26's display & the fact it displays tube hours as well. It also looks fantastic with that mean-looking aluminium faceplate & handles!

I'm planning a system upgrade which will include a pair of Infinity Ren 90's, so i'll be bi-amping them with high current Benchmark dual mono power amps & need a smooth, open & clean sounding pre which will exploit the maximum potential from the Ren's planar drivers. My source is a JVC XL-Z1050 Class C transport connected via a Nordost 'Silver Shadow' cable to a Vimak DS-1800 Mk2 Dac. Given that company, the choice of pre will be critical. One thing is for sure, the LS26 will definitely be on the rack when I start auditioning pre's!