Most transparent amp you've heard?


Of the amps I've listened to the Halcro DM58 was the most transparent. Anything else similar or better in that department?

Thanks Sean
sarcher30
ive gotta know. How could u tell if a amp changed the sound if you cant do a a/b test with the live music or unless you have heard it uncoloured before. im learning so be easy on me. kevin
Listen to a handful of amps in the same system and you'll know. Until then, you
won't know.

Hi Sean, I do have a preferred amp. . . problem is that I am not terribly familiar with Halcro amps in general. My fav is the Rowland 312. Like the Spectron, it is a switching class D amp that runs very cool to the touch. Like the Spectron it is very efficient and can drive difficult speakers. . . and like the Spectron it has loads of authority, has a greatly texture midrange and a sweet treble .; and like the Spectron it is very nuanced and 'transparent'. . . . they are both worth listening to. . . you may like them both equally, or you may prefer one to the other, or you may be indifferent to both. . . this last hypothesis not terribly likely [chuckles!]
Thinking about it, one of the most transparent amps I have ever heard and enjoyed are the Theta Citadel monoblocks. . . if your speakers are sensitive like Vandersteen 5As, they also could be absolutely marvellous! Guido
How would a fella ever know if he had just heard the most transparent amp if he didn't have the most transparent speaker, what ever that might be? I always thought transparency was the end result of how an amp and speaker interfaced, complimented each other that is, and sounded in any particular acoustic. Amps don't have built in drivers and cross overs, boxed or not. They just put out an electric signal that must be utilized effectively.

Am I missing something?
...and how would one know he had transparent speakers and a transparent
amp unless he had a transparent preamp, and a transparent source.

And, if one one had all these, how would one know what he heard was a
transparent reproduction of the recording unless he had attended the
recording session?

Can there ever be a perfect scenario for evaluating equipment? And, if not,
is all observation and opinion moot because it was not rendered in a
perfectly transparent system?

Where does this end?

Is the question as posed not useful?

I don't know. Just asking...

PS- In my imperfect system, knowing what I heard was absolutely not what
the recording engineer heard because everything is different including the
room and electronics, the most transparent amps I have heard are still
Atma-Sphere and Pass Labs. ;)