So what do you think of Class D amp for subwoofers

"There is no question, at least in my mind, that there are better sounding approaches to power supply design in power amplifiers than an unregulated raw supply, it doesn't change the fact it is still a popular approach."

Spatialking, Higher end class D amplifiers use a high degree of SMPS regulation. E.g. JRDG 300 series amps: 301, 302, 304, 312, as well as Bel Canto Ref Mk.2 series. JRDG also makes use of active PFC in its pre power supply circuits. Switching frequency of JRDG 302 SMPS is in the 1Mhz range. In my experience, a discussion of unregulated SMPS implementation is not applicable to newer design amps ranging in cost from $5K to $50K.

Before you expend any more energy attempting to prove the supposed inherent musical inferiority of class D designs to more traditional ones on theoretical generalizations, you may want to let your ears do the walking. Consider granting some in depth listening to the recent statement level creations of leading class D amplifier designers. If after that you still did not like them, you would at least anchor your preference on applicable personal experience. Guido

Kijanki, I don't believe any SMPS is quieter than a linear regulated supply regardless of what the diodes are doing in a linear PS. Sure you can design SMPS to switch on and off at zero crossings but you still have to deal with clock noise. If a SMPS is low noise, it is only because some design engineer somewhere worked pretty hard at getting the noise out.

There are cases where linear regulators are used after SMPS regulation simply to eliminate the SM noise. I think Maxim has a patent on this and they do use this approach in many of their sensitive chips. I know, I worked there as an apps engineer for a while.

Also, please note that any noise, at any frequency, injected in the bandwidth of the amplifier has a negative impact on the sound quality. This is especially true at higher frequencies where PSRR of the amplifier drops off.

The reason for this is that any noise injects additional energy into the bandwidth of the amplifier. Sure, you may not hear it as "noise" but any increase in energy within the bandwidth of the amplifier will sound different. This is the basis Nyquist theory and all digital audio: a given bandwidth and given energy level sounds the same. Change either one and the sound changes.

Again, as I have stated at least three times now, just using a SMPS, or a Class D amplifier for that matter, doesn't mean the sound is worse than an Class AB design, it could be substantially better. It all depends on the trade offs made by the design engineer and how it was manufactured.

Guido: I stated above that I believe the sound of my bass is "a bit dead and not overly lively". I based this on listening to it, not from some datasheet or preconceived made up opinions about Class D amplifiers. I did not state that all Class D amplifiers produce bass that is dead or not overly lively. I did state that this is what I hear in my system and it is caused by my Class D amplifier. I was curious to see if anyone else had experienced the same sonic effects which I have.

Let me put it another way, approximately 1000 folks have looked at this thread. If say 30 to 40% of them stated something like "Oh, heck I have the same problem with my Class D" I would be inclined to find an engineering reason for it. This has not happened. Whatever I am experiencing here seems to be more related to my own Class D amplifier.

If I felt that Class D amplifiers were bad from bias, I wouldn't have spent a grand on Class D amplifier in the first place! I could have continued using the two Amber 70's I had. Actually, the only complaint I had about the 70's is the fact they only produce 70 watts. This is not a lot of power and I can clip them if I was not careful on the volume control. Otherwise, they sounded perfectly fine as bass amps. My subs are nominally 6 Ohms and the Amber's have plenty of current to drive 6 Ohms. The problem is they were running out of voltage, not current. A well designed amplifier should run out of voltage when they clip, well designed amps should not run out of current.

These aren't theoretical generalizations I am making up. If any Class D amplifier is going to have less radiated or conducted noise than a Class AB, it is because the design engineer made it happen because Class D designs have inherent noise that Class AB amps don't have. That is a fact of life, just as tubes have filaments, mosfets are voltage based devices, and transistors are current based devices.

I will admit that I am conservative when it comes to making changes in my stereo - This is the reason I have a Class D amp for the subs and I haven't sold my Premier Five CJs on the upper octaves. I could have sold the CJ's and ran the entire system off this monster Class D amplifier. I didn't do it, I wanted to see how it worked on the subs.

Please scroll up and read what I wrote about radiated noise from my Class D amplifier causing FM interference. If it was conducted noise, moving the antenna would not have any effect. But the fact that I moved the antenna and eliminated the interference proves the noise is radiated. Also, simply turning the Class D amplifier off eliminated the noise also proves my Class D amplifier is the source of the noise. If anyone still believes this noise is not from the Class D amplifier, they will simply have to stop by for a visit.

Again, let me state one more time simply using a Class D amplifier does not mean your system will sound worse than a Class AB or Class A or even a tube amplifier. It does mean that if you don't have a noise problem then the design engineer who designed it dealt with the noise problem. Whoever was the design engineer on my Class D amplifier did not do enough homework or I would not have had the interference problem.

Spatialking - As far as I know Nyquist and Shannon were describing sampled systems while class D is analog. Adding high frequency noise is often practiced (for instance in digital photography) to increase resolution. In image processing it is called dithering and is also used in audio processing.

I mentioned many times before, that noise is always produced - only high frequency is much easier to filter than 120Hz spikes (that carry a lot of high frequency energy) and that was main reason for Jeff Rowland Capri's SMPS.

I don't think I understand your statement "If it was conducted noise, moving the antenna would not have any effect" If you move antenna away and it stopped it was most likely conducted (capacitive) and not radiated (electromagnetic) noise.

At around 100MHz you're at such high harmonics of 0.5MHz carrier (Icepower) that there is almost no energy in harmonics to start with and even single capacitor would clean it (Icepower has second order filter).

I've read pretty much all posts on this forum (and others) regarding class D. 90% of people who dislike class D never heard one. Reading your original post I had impression that you don't even consider it for subwoofer much less for the main amp while according to all editorial reviews I've read bass is exceptional in class D.
(Just go back to my quote in previous post of John Atkinsons La Sphere system with 5200 watt Icepower system.)

At this point I'm not sure if you don't like it because of EMI, principle of operation (PWM) or the sound.

I don't know what Marantz screw-up in your amp (or what is wrong with your tuner/antenna combo)but mine is exactly under TV and has no detectable effect (speaker cables lying next to antenna cables).

If you believe that high frequency noise will affect audible band then go to Icepower 1000ASP datasheet and check FFT of its idle noise 0-20kHz - it is below -140dB (it should affect itself but doesn't). Also it has incredible IMD=0.002% and THD=0.007%. How many amps can output 100mW-1000W at 10Hz-20kHz with only 0.2% THD? For your subwoofer application DF=4000 should not be too bad as well as ability to output 40A for over 1 second.

As for disliking principle of operation (PWM) sigma-delta DACs, SACD and DSD studio recordings are doing exactly the same thing.

I can point you to review in Audioasylum where one guy bought Icepower amp to drive his rear spekers and after listening to it got rid of his main tube amp replacing it with Icepower. If you find Icepower sound not to your liking try Kharma or hundred other companies that produce class D audio amps.

It is entirely possible that you have better ears than mine or even more experience than John Atkinson (Stereophile) but if you just simply don't like the sound then don't speak poorly about whole class of amps that is not better or worse than other classes of amps and for the value are probably the best.

If you look into Icepower datasheet you'll find following statement:

EMI conforms to: EN55103-1
EN55103-2
FCC part 15b Class A

And don't worry about SMPS in your TV (about 200W) since it follows the same standards.

You said that class D noise is inherent and if it's not outside it means that designer had to take care of it. First of all - I pointed that switching noise in very high current spikes is inherent to any linear supply and second I could make similar statement of tube amps - "they have inherent dangerous high voltage and if it's not on the outside it is because of the designer (transformer). It always is - don't analyze and just find better one than Marantz.

Dont know if this is applicable or not,used on 2 way legacy speakers,sure the bass went deep,but it wasn't natural,and it wasn't any better then what comes out of my counterpoint,the counterpoint shows its bass entirely with whats on the recording,if its light on the recording that's what comes out if its good on the recording that's what comes out,class d seems to really bring out more then really whats on the recording,overemphasizes if anything.

Coffey - how do you know what is on the recording?

Bass of tube amps is in general different than one of transistor class AB amps - which one is "on the recording"?