SET vs OTL


Could someone tell me the difference between a single-ended triode amp and an output transformerless amp?

Is it true that despite its operational inconveniences, a good OTL (eg Tenor Audio) will always sound more "natural" than a good SET (eg a Cary 300SE)?

Thanks
aarif
Incidentally, nothing wrong in my book with "lush" sounding amps. That's precisely the reason I own two pairs of SETs.

Marty
Martykl, no properly built single-ended 45 amp is lush in any sense into appropriate speakers.

Have you heard any? Which do you call lush?
Paul,

As I noted in my post, I've never gone the really low power output route, so I wasn't commenting on any of the 45 tube designs. OTOH, you mentioned the 211 tube as well. I use this as the default tube in my Cary 805s specifically because the slightly "darker" top end (vs. the 845 output tube alternative) emphasizes the warmer tonal balance of the amp. When the 845 is in service in the Cary, it, too, is warmer/lusher than most amps I've used, but closer to neutral.

I'm sure that tonal balance of most SET amps varies with the impedence curve of the speaker being used, so my observations are qualified by that fact. In actual use, my SET amps have produced pretty consistent results, regardless of the speaker; deep bass is diminished, mid-bass performance is strong, midrange lovely, highs are airy but a bit rolled off. (To be honest, I no longer hear the roll off at the high end - probably one more 50th birthday gift). Dynamics are surprising, almost always exceeding expectations for the power output. However, IME (which -to be clear-excludes the 45 and similar very low output designs), SETs definitely tend to be warm and lush.
Are OTLs more accurate to the source? More linear across the frequency spectrum?
Martykl, if there is one maker of SETs that could be called LUSH, it's Cary. Even their 2A3s are lush, which I'd have thought impossible to do.

You're description of SET bass is especially off in regards to the 45, by the way: very, very tight low end, NO exaggerated mid-bass at all. In fact, they're rather like Ralph's OTLs in that aspect.

No triode is as clear and direct as the 45 IME. I may have mentioned the 211 in the same breath - it's still not nearly as see-through - not in amps I have experience with anyway. (Ongaku? Maybe. Cary? Even less than the Consonance 211s I owned.)

Like you said, 'lush' is not necessarily bad.

Ralph, I didn't realize your OTLs have only one gain stage. I learned something. I may need to try one again.