What Integrated Amps have the sonics of Separates?


I want to get off the $$$ bandwagon. I'm tired of spending money, and then in a year, the equipment has dropped in used value substantially, since the fickle audiophile community has moved on to new favorites.

There must be very good sounding integrateds, or more modestly priced separates that perform as well. I'm still looking for quality, weight and finish, so it doesn't have to be just modest priced gear.

Thoughts: Rowland, Plinius, Simaudio, Vincent, or others. Don't want cheap, plastic, light stuff with limited power either.

There must be audiophiles who have felt the same way, and found things that satisfied them as well, or nearly as well, because they were tired of spending and spending.
audiosoul
Audiosoul, class D amplifiers like the Rowlands or the latest Bel Cantos are not even faintly digital. They use ICEpower analog power conversion modules.

The only cavieat with ICEpower based amplifiers is that they need to be very well broken in, or they sound dry and the treble response may be foreshortened. 500 to 700 hours is a good breakin for the Bel Canto products and the JRDG Continuum 500. The JRDG Continuum 250 and the JRDG Concerto integrated may require over 1,000 hours to shine.

One of the good news is that they draw almost no power at idle. . . e.g. 25W for the JRDG Continuum 250 integrated (and probably the same for the Bel Canto integrated). . . 35W for the JRDG Continuum Integrated. . This means that you can leave these amps powered up continuously so they always give you peak performance whenever you listen to music.

Do not exclude class D products a priori, they are just like any other technology. . . They all sound different. . . some of them you may like, and others you may not enjoy. G.
Just pick up a used NuVista M3 and be done with it. It's already been mentioned a couple of times in this thread, but it bears repeating. I've had mine for years now and will continue to have it for more. For the used prices today, it's a screaming bargain. And I have to say that the phono section is no slouch--it is BOTH MM and MC. There's dip switch inside the amp that ajusts for MM and MC. It won't have enough gain for the lowest output MCs but for my medium output Benz M2 woody, it's plenty (volume knob never goes past 10 o'clock and is most often at 9.) Its only real quirk is that the speaker binding posts are ridiculous and are too big to accomodate any spade lugs I know of.
Actually my "just listen to the Music" amp is the Mac 2275. Mine was purchased used for $3600.00 and it offers excellent "tube" sound, plenty of flexibility, reliability, and enough power to drive most speakers (currently it drives B&W 805's to satisfactory levels in a fairly large room). I did upgrade the tube complement but with the exception of the Sovetek 12AX7LPS's in the phono preamp it was not necessary. So when " Hi Fi Hypochondria " gets too severe I go back to the Mac system for recuperation. The sound is superb and the pain diminishes quickly :<}.
Audiosoul:
CODA CSI Limited Edition is a great choice, especially if you can use 220 Watts of power. You will see several comments previously in the Audiogon archives if you search, and I can highly recommend this product.
My Plinius 8200mk2 is making me very happy, doesn't have the hard SS sound, very transparent and detailed. I have seen Plinius 9200 used on sale, it's a step up from 8200. But if you only like heavy rock and electronic music, Plinius might be too slow for you. I mean I like rock(no death metal though), the sound is beautifully laid out, very balanced and neutral sound.