Hello Chashas1: Yeah, I'm new to this and I know now it's almost useless to test-listen on equipment other than your own. It was fun trying, though. It seemed to me that logically if one amp sounds better or worse than another through several different speaker systems then it is likely a similar relationship would hold with your own speakers, but this subject involves loads of factors of acoustics and taste as well as that simple "logic," which is becoming ever so clear to me, so that "logic" might not hold at all.
The shop has a policy of dibs: Interested parties put their name on equipment, and have rights to buy it, in order of when they put their name on it, within 3 days of being listed. If your name comes-up, then you can buy it, and if you return it within 30 days you get 90% of your money back.
I was not first on the list on either listening, and therefore I could not buy it and test it at home for 10% of the price, which I would certainly have done had I had that chance. I figure that price is like a night out in the pub here in Japan, but much more interesting and rewarding, and it is how I happen to have the Prima Luna at home now. I have one more week with that amp before I return it.
During my second listening someone bought the amp, and based on what we heard we didn't really feel bad about it.
If I made a mistake, then just to let you know I wasn't using bullets, but bombs to shoot myself in the foot with, because the Leben was in beautiful mint condition and had the Mullard tubes people seem to prefer, and many on here will probably go cry when they read this: it was only about USD $1000, it's normal price in Japan where local audiophiles apparently don't generally consider it so great.
That means that, had my number come-up and was able to buy it, even if I disliked it at home I could have sold it to someone overseas who really appreciates it and made a hefty profit.
My number didn't come-up, and I couldn't have owned this particular Leben even if I wanted to.
I wonder how else can I choose the best amp when I have no chance to listen on my own equipment?
The shop has a policy of dibs: Interested parties put their name on equipment, and have rights to buy it, in order of when they put their name on it, within 3 days of being listed. If your name comes-up, then you can buy it, and if you return it within 30 days you get 90% of your money back.
I was not first on the list on either listening, and therefore I could not buy it and test it at home for 10% of the price, which I would certainly have done had I had that chance. I figure that price is like a night out in the pub here in Japan, but much more interesting and rewarding, and it is how I happen to have the Prima Luna at home now. I have one more week with that amp before I return it.
During my second listening someone bought the amp, and based on what we heard we didn't really feel bad about it.
If I made a mistake, then just to let you know I wasn't using bullets, but bombs to shoot myself in the foot with, because the Leben was in beautiful mint condition and had the Mullard tubes people seem to prefer, and many on here will probably go cry when they read this: it was only about USD $1000, it's normal price in Japan where local audiophiles apparently don't generally consider it so great.
That means that, had my number come-up and was able to buy it, even if I disliked it at home I could have sold it to someone overseas who really appreciates it and made a hefty profit.
My number didn't come-up, and I couldn't have owned this particular Leben even if I wanted to.
I wonder how else can I choose the best amp when I have no chance to listen on my own equipment?
