Jim, I think this is the one...
01-10-10: Bwcanuck
My experience has been that the recording medium and media have been the weakest link in my system. I prefer higher resolution speakers but this places massive limitations on what I can play to get a truly live detailed sound without hearing background noise or errors in mixing. I've heard the Monitor 30 beside a pair of NS-1000M and they shared an almost identical response in that room. The M30 had a color or warmth, a wood note and was quite forgiving of material and gear even though it had more treble, but was still more detailed than many other speakers that I remember. I enjoyed them. The NS-1000M was incredibly neutral from what I could tell, dynamic, let me hear far too deep into what was playing in the audition, to the point where what I was hearing was almost programmed sounding. Things like distant sounding strings with a close sounding vocal that doesn't fit stood out. When I ponder about recordings maybe they should use speakers like those to know what they are doing to a recording, I think most listeners want to hear more music, less recording process.
Bwcanuck (Answers)
it was the fifth post under a thread for avalon, harbeth, etc...
I think what I was trying to show you at the time was that your speakers are monitors, hence very revealing, sometimes too much so, yet also requiring a good matchup in electronics. I doubt the lil Leben would have enough juice for your speakers.
In the latest issue of Stereophile, John Marks again goes crazy over the new Luxman 505u. He's pairing it with the Harbeth 7-3's...if you could find one of those over there who knows?
01-10-10: Bwcanuck
My experience has been that the recording medium and media have been the weakest link in my system. I prefer higher resolution speakers but this places massive limitations on what I can play to get a truly live detailed sound without hearing background noise or errors in mixing. I've heard the Monitor 30 beside a pair of NS-1000M and they shared an almost identical response in that room. The M30 had a color or warmth, a wood note and was quite forgiving of material and gear even though it had more treble, but was still more detailed than many other speakers that I remember. I enjoyed them. The NS-1000M was incredibly neutral from what I could tell, dynamic, let me hear far too deep into what was playing in the audition, to the point where what I was hearing was almost programmed sounding. Things like distant sounding strings with a close sounding vocal that doesn't fit stood out. When I ponder about recordings maybe they should use speakers like those to know what they are doing to a recording, I think most listeners want to hear more music, less recording process.
Bwcanuck (Answers)
it was the fifth post under a thread for avalon, harbeth, etc...
I think what I was trying to show you at the time was that your speakers are monitors, hence very revealing, sometimes too much so, yet also requiring a good matchup in electronics. I doubt the lil Leben would have enough juice for your speakers.
In the latest issue of Stereophile, John Marks again goes crazy over the new Luxman 505u. He's pairing it with the Harbeth 7-3's...if you could find one of those over there who knows?