The closest approach: what amplification?


Ken Kessler titled his book on Quad "The closest approach" to summarize Quad's philosophy of producing a speaker that gets as close as possible to the reproduction of a live event. I have been wondering if there is a type of amplification that gets us closer to the real thing more than other types. I have met many audiophiles over the past few years, and what strikes me is how religious people can get about radically different types of amplification: some swear that there is nothing like small-power SET coupled with efficient speakers. Others believe that you don't have a serious system unless you use muscular SS amplifiers (e.g. 300 WPC). Others believe that powerful push-pull tube configurations are the best of both worlds. Finally, there is a small community of OTL aficionados that look at the rest of the world as if they don't know what music reproduction is all about.

Of course these people value different things. Some like imaging more than other things; others value transparency; others are crazy about huge soundstages; others seek warmth etc. And it is clear that some types of amplification are better for certain things and others are better for other things.

Now, let us consider simply the reproduction of a live event (not some specific, partial dimensions). In your experience, what type of amplification got you close to the real thing? Powerful SS, SET, OTL, powerful push-pull?
ggavetti
Unsound, obviously I should have made it clear which part of my response was about things an owner of existing speakers could do, and which referred to something that would have to be done during the design stage.

In my opinion using an autoformer is something a speaker owner would do to make his speakers more compatible with OTL amps.

If we're just looking at the design stage, then yes it is easier to smooth the impedance curve by lowering it. But if the end goal is compatibility with OTL amps, for example, lowering the impedance curve can be counter-productive. Some of the design choices that lead to a medium to high, and smooth, impedance curve need to be made before the crossover design stage. For example, I can't expect to build a 2.5-way system using two 8-ohm 6" woofers and end up with an OTL-friendly design.
We listen to a system not a ampifier. So how can your ? be answered? many ways to skin the audio-cat and all the amp types you mentioned can make for a great sounding system if used in the right way.
Johnk, Here is a metaphor. A racing car can race and finish in the top three only if it has an engine, four wheels, and thousands of other parts. Now, I think it makes sense to ask whether it is more likely that a gasoline vs. a diesel vs. an electric engine is more likely to get a given car to finish a race, doesn't it? These different engines require different car configurations. Still, as of today it is more likely that a gasoline engine will get you close to the top three. I guess this was the spirit of the question. System configuration is key. that said, are there types of amplification (and associated configurations) that are more likely to get us close to the real thing?
"We listen to a system not a amplifier"
Yes and we listen to different recordings, so how can we determine anything beyond that we liked a specific song, on a specific system, on a specific occasion?
I maintain that with experience and consultation with others, one can form a reasonable opinion as to what component in a system is causing what result.
I have gotten together with friends gathering a dozen amplifiers in the floor and comparing them. Then I often have borrowed the amp that gave a certain impression and taken it home for a week to evaluate. I have deliberately sought out speakers with
difficult loads like Wilson, Thiel, and Soundlabs. When I get a similar result despite all this, (as I have with Conrad Johnson solid state amps for example) I can say with reasonable confidence that the amp has a certain set of characteristics. Words may fail me, but over time I can hear the difference.