Just a naive (i.e., McIntosh devotee/musician for 5 decades or so) lurker here. It's interesting to me that the purists want to give control over the music to the 19 year old studio intern who sets up the microphone, and are willing to spend ever-increasing amounts of money to achieve perfect reproduction of whatever result emerges. One possible interpretation is that if you are spending a sizable chunk of your income on something like this, it pretty much has to become Communing With The Gods for you. I'm wondering how much of this point of view would survive a serious study of what happens to the sound in its trip from the instrument to the audiophile ear.