My opinion is that it is important to heed proper attention to all components. I feel that many people become speaker poor, and never quite get the sound they would like. It's the same concept of being house poor - big house but no furnishings.
Personally, I would rather distribute my budget to include at the very least, a Troy. The Spartan drove me crazy for the past year. Just within the last couple months did I weed-out every weak link to complete the circle. The Spartan/Orion is that demanding. The Troy makes everything sound better. The Spartan lets you hear all your components.
The cost of the raw materials is surprisingly expensive. Add to that an obsession to sourcing from the manufacturers whose raw goods have the best sonic attributes. Plus, these products are wholly unique and innovative pieces. Can't think of anything else that does what these do.
I feel very fortunate to have access to a lot of work so I can fund this hobby. I will readily admit that these pieces are excesses in terms of what most people are seeking, but for me it has always been about taking the system further than what I thought possible. As a music lover who is an enthusiastic about audio equipment, my goal has been about pushing the state-of-the-art to recreate a live event. The Troy and Spartan are vital parts of that goal.
Personally, I would rather distribute my budget to include at the very least, a Troy. The Spartan drove me crazy for the past year. Just within the last couple months did I weed-out every weak link to complete the circle. The Spartan/Orion is that demanding. The Troy makes everything sound better. The Spartan lets you hear all your components.
The cost of the raw materials is surprisingly expensive. Add to that an obsession to sourcing from the manufacturers whose raw goods have the best sonic attributes. Plus, these products are wholly unique and innovative pieces. Can't think of anything else that does what these do.
I feel very fortunate to have access to a lot of work so I can fund this hobby. I will readily admit that these pieces are excesses in terms of what most people are seeking, but for me it has always been about taking the system further than what I thought possible. As a music lover who is an enthusiastic about audio equipment, my goal has been about pushing the state-of-the-art to recreate a live event. The Troy and Spartan are vital parts of that goal.

