Shindo Monbrison better a RedWine Isabella?


I'm consistently intrigued by the Shindo gear, and I'm eyeballing a Monbrison pre to replace my Redwine Audio Isabella pre. I've currently got the system synergy thing going with RedWIne 70.2s (all Auditorium cabling, Devore Nines). Am I barking up the wrong tree here and about to destroy a good thing, or can I expect higher levels of audio engagement with the Shindo at the heart of things? Thank you in advance.
westexdent
Please forgive my failure to point out that my RedWine gear is the updated LFP-V edition. Quite a step forward from the older 70.2s and Isabella.

Glory, could you further illuminate your beef with the Red Wine gear other than it sucks? That's admittedly the first time I've ever heard or read that, and it certainly doesn't concur with my own experiences.

It seems to be oft stated that Shindo is quite finicky in that it prefers more of its own kind and that mixing gear will often rob the "Shindo magic." Would I be doing the same to my "Redwine Audio magic?" Clearly, there's only one way to find out!
I have my Shindo Auriges with a pair of Hurricane monoblocks and the Shindo magic is there
Alan
Westexdent,I also have the latest version of a Red Wine amp,albeit a 30.2 LFP-V edition,but I do agree it's definitely a step up from the previous iteration.I really can't say anything negative about it.
According to another thread Audiofreakgeek is a dealer posting without disclosure.

It sounds like it would be best to ignore him.
The Monbrison is a fine preamp just make sure its an impedance match with the Red Wine amps. There is a lot more information and Red Wine owners over on the Audiocircle forum. A good person to contact would be Louis at Omega Loudspeakers. He has a lot of experience with Red Wine (he used to use Red Wine at shows paired with his loudspeakers) and would give you an impartial opinion about which tube preamps would provide good synergy.