Timlub,
Capacitors used in analog tone controls have tolerance of few percent producing different phase shifts between channels. Same goes for limited track to track matching of the tone potentiometer. Capacitors, in addition, have dielectric absorption - introducing distortion. Good caps can be very expensive. Cheap Mylar cap is often the reason for the tweeter glare in many low cost speakers.
Unsound,
Yes, accurate filtering is possible in DSP processing, but signal has to be digitized to start with and then converted back to analog again (two conversions). In addition it doesn't solve many problems. For instance some of my Jazz CDs have acoustic bass coming a little strong (nature of the recording). How can I reduce it (or should I?) without changing sound of lower piano registers. On the other side of the frequency spectrum - how can I make cymbals to sound stronger without changing timbre of voice or not making violins "screechy". Harmonic structure of many instruments is incredibly complex and I don't want to touch it. Less is more.
Capacitors used in analog tone controls have tolerance of few percent producing different phase shifts between channels. Same goes for limited track to track matching of the tone potentiometer. Capacitors, in addition, have dielectric absorption - introducing distortion. Good caps can be very expensive. Cheap Mylar cap is often the reason for the tweeter glare in many low cost speakers.
Unsound,
Yes, accurate filtering is possible in DSP processing, but signal has to be digitized to start with and then converted back to analog again (two conversions). In addition it doesn't solve many problems. For instance some of my Jazz CDs have acoustic bass coming a little strong (nature of the recording). How can I reduce it (or should I?) without changing sound of lower piano registers. On the other side of the frequency spectrum - how can I make cymbals to sound stronger without changing timbre of voice or not making violins "screechy". Harmonic structure of many instruments is incredibly complex and I don't want to touch it. Less is more.

