In this thread, Roger says the RM-10 is a class AB1:
http://www.audioasylum.com/cgi/t.mpl?f=tubes&m=61190
http://www.audioasylum.com/cgi/t.mpl?f=tubes&m=61190
"Light Loading" Amps - Music Refence and others...
Michael (Swampwalker), the "1" and "2" suffixes are applicable to tube amps only. "1" indicates that the grids of the output tubes are always negative. "2" indicates that they can go slightly positive, causing grid current to flow. That in turn results in some increase in output power capability, at the expense of an increase in distortion. Best regards, -- Al |
"Yes, a genius designed it." Sometimes design and execution are different things. The same genius designed the RM-9 amp, and the Counterpoint OTL amps, if memory serves. I'll let Ralph address the particulars of the OTLs. I owned two of the original RM-9 amps. Both prone to problems and not particularly quiet amps, either. It's comical how he takes pot shots at David Manley for unreliable amps; must not be any mirrors in Roger's lair. I have come around to the realization that one bias pot for the four tubes in each channel was nonsenical, at best. Except if you are a tube merchant, I suppose. Tubes can start off matched, but that is clearly not how they end up. One always had to have extra fuses and cathode resistors handy. And yes, tubes, as well. |
Maybe we can save Ralph the trouble since you actually addressed the SA-4 here: http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1141537350&read&keyw&zzcounterpoint To quote: 03-05-06: Viridian |
What does sound quality have to do with reliability? That's what Ralph may want to address. The RM-9s sounded great, when they worked. That's why I took a chance on the second one. Likewise The RM-10 sounds great, as well as the SA-9. But it is unfair to blame Roger for the issues with the Counterpoint amp as he did not spec the amps, only designed them, like the Beveridge preamp before that. The RM-9 is all his baby though. It was neither quiet, nor reliable. |