Hello again Rattosecond
For my Jolida 502P with the KT120s or any of the KT88 or 6550 type tubes in place I would always bias the amp at least 515 to 525 millivolts. One time by accident when I was swapping out NOS 6550 tubes for newer KT88/KT120 I had forgotten to lower the bias settings and found when I checked with my meter some tubes were getting 625 to 712 millivolts. I didn't notice anything odd with the tubes or any additional heat coming from the Jolida but I also didn't have the 502P at these bias settings for long.
I think if you increase the bias you will be taxing the tubes more and the transformers. My speakers are mostly 88db sensitive. Only the Ohm Walsh 2s I have maybe are the most difficult load for the Jolida. I used the 4 ohm taps on the 502P with the Ohms but kept the bias at around 515 to 520 millivolts. The music was relaxed and not so forward. Really good for nearfield listening. When I swapped out the Jolida and put in a Class D Audio amp that put out just 120w/channel into 4 ohms it made the Ohm Walsh 2 go quite a bit louder, more forward but the treble became a bit harsh till I made adjustments.
What do you feel is lacking with the Jolida 502B and your 86db sensitive speakers?
For my Jolida 502P with the KT120s or any of the KT88 or 6550 type tubes in place I would always bias the amp at least 515 to 525 millivolts. One time by accident when I was swapping out NOS 6550 tubes for newer KT88/KT120 I had forgotten to lower the bias settings and found when I checked with my meter some tubes were getting 625 to 712 millivolts. I didn't notice anything odd with the tubes or any additional heat coming from the Jolida but I also didn't have the 502P at these bias settings for long.
I think if you increase the bias you will be taxing the tubes more and the transformers. My speakers are mostly 88db sensitive. Only the Ohm Walsh 2s I have maybe are the most difficult load for the Jolida. I used the 4 ohm taps on the 502P with the Ohms but kept the bias at around 515 to 520 millivolts. The music was relaxed and not so forward. Really good for nearfield listening. When I swapped out the Jolida and put in a Class D Audio amp that put out just 120w/channel into 4 ohms it made the Ohm Walsh 2 go quite a bit louder, more forward but the treble became a bit harsh till I made adjustments.
What do you feel is lacking with the Jolida 502B and your 86db sensitive speakers?

