$18k Tube preamp for large scale symphonies please


hi, can anyone suggest tube preamp that's good for handling complex music & large scale symphonies recordings in studio/ theatres? i had audition some: Aesthetix, CJ ,Modwright, Audio Note, ARC but all seems lacking in some ways and definitely not enough air at top octaves and instruments separation/ spaciousness. all dealer agrees that some pre is good at certain genre of music and sound Great even more if music is relatively SIMPLE like vocal, jazz, light acoustic, slow rock and maybe pop songs. Yes i know personal taste varies as well: bass strength & high freq. extension etc. & gears matching too. could anyone share their expreience so i can narrow down a list? my music typically: Van Hellsing & Princess Mononoke movie soundtrack. hope dealers provide constructive comments. Thanks All in advance. -phil
philipwu
Have a look at TRON (www.tron-electric.co.uk) distributed by Jaff Catalano at Highwater Sound, NYC. TRON is a boutique British amplifier manufacturer using only the highest quality components (many custom made) with ultra short signal paths for a valve amplifier. Do you need just a line stage or phono too within your budget? Each unit is built by the designer, Graham Tricker, himself. They are built to order, so expect to wait a couple of months. Each amplifier is bespoke, so you can request upgrades or specific tweaks to match your system. GT is happy to talk to potential customers, so that he can build something to suit your system (eg matching preamp gain etc).
The Highwater Sound room often wins accolades at shows like RMAF.
hi, thanks for all whom had contributed. i have more or less shrink down a list. could i ask your help again to Rank the tube preamp base on below qualities separately?

DETAIL: which has it as in you can hear more instruments & info not heard before, NOT referring to "detailness" quality of each note.
Veloce LS-1
Tron Syren II
AtmaSphere MP-1
Coincident Statement Linestage
VTL 6.5
Shindo Monbrison

RICHNESS: from upper midrange to high freq. emphasis on violin, cymbals, triangles, harp, trombone, higher octave of piano etc..

VTL 6.5
Veloce LS-1
Tron Syren II
AtmaSphere MP-1
Coincident Statement Linestage
Shindo Monbrison

i understand you may have heard in different setups, hence opinion conflicts is inevitable. perhaps, if you may, kindly also mention the partnering gears as well.
THANKS again ALL. i also hope the thread helps to assist GON members make their future preamp selection easier base on the strengh & weakness of the pre. -Phil
hey, i forget to mention CAT SL1 Legend as well, kindly include it in Ranking as well. thanks, -phil
Phillip,
The qualities that you list are the extraordinary strengths of the Coincident linestage. The ability to resolve and reveal very subtle and low level detail yet remain completely organic and pure in character is quite the feat.

Tone quality,timbre,harmonics along with note substain and natural decay is superb.The ability to really hear and distinguish the unique character of instruments is truly compelling and convincing.It manages to be ultra resolved and transparent but in a holistic/natural manner.If you lean toward an analytical perspective then you may not like the Coincident.It will very effectively communicate the emotion of music at all times.

I have`nt heard all the other preamps on your list but I suspect they`re 'all' very worthy.It`s impossible to say any one of them stands clearly above all others(how could that be proven?). Owners of other preamps could make the same sincere case for theirs as I do for mine.All I can say is for what you seem to be searching for the Coincident would measure up to your demanding standards, it is an exceptional audio component.

I hope you`re able to audition it and see what you think.You may or may not agree with my strong favorable impressions.It does`nt have a remote control(in case that matters to you).
Best Regards,