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When a Reviewer "likes" something

... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
syntax
elizabeth
6,726 posts
 
OK I am a Reviewer
(unpublished, but that is a minor quibble)
So I like everything I own, and think all the stuff anyone else owns is RUBBISH.
There. i said it. HAH.
Pease. audio corporations.. send me your stuff so I can review it and add it to my system (for free, naturally)
THEN it would stop being rubbish, and become stuff I like. PRESTO!!
Maybe I can even get my reviews published...
mountainsong's avatar
mountainsong
353 posts
 
Everything in life is vanity and illusion!
audio magazines are part of the game we all have being part at some point in our lives, i support them even if i dont neccesary believe all they have to say.
It will be sad a high end audio without magazines and reviewers....
Lets make it clear we all know our hobby is very subjective as everything else....
Regards and keep enjoying what your ears tell you!
syntax's avatar
syntax OP
2,033 posts
 
Stereophile Feb. 2013
Records to Die For (!!!!!)

It is well known that the latest Beatles Reissue Vinyl Box Set sounds really bad. So bad, that even reviewers can't deny it (so it must be remarkable bad)
BUT
even describing how bad it is, who cares: It is simply lifted to "be beyond essential"....
The reviewer likes it, probably he got it for free and he has to do someone a favor, but that's not the discriminated listener. Beyond essential is the key....
Some call it a review, don't forget: It is in the listing of "Records to die for" (the best of the best)
jmcgrogan2's avatar
jmcgrogan2
6,346 posts
 
I don't hate reviewer's, everyone needs a job these days, be it government worker's, lawyers, salespersons or reviewer's. A person has to make a living, I don't hold that against any of them. That doesn't mean that I have to buy what they are selling, and make no mistake, reviewers are selling.

I think you'd make a perfect reviewer Elizabeth! ;)
actusreus
733 posts
 
I agree with Manitunc. I will also add that there are certainly bad reviews quite regularly, at least in Stereophile. A while ago Fremer reviewed a Boulder amp, and he trashed it sending the company's reps into a frenzy over the review. There was a bad Totem Forrest speaker review that nearly gave the designer a heart attack. There was a pretty bad class D amp review a few months ago. Fremer regularly criticizes high priced cartridges or analog equipment that he thinks should be less expensive based on performance. These are just a few off the top of my head.

Also, in the latest issue of Stereophile (April 2013), Art Dudley sheds some interesting light on the reviewing policies and interaction between reviewers and manufacturers. It's perhaps more of a rant, but it does describe what's going on behind the "closed doors" so to speak, and probably answers some of the questions and claims raised in this thread. I recommend it.

In the end, to me a review is what you make of it.
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