You CAN photocopy library books. That's why all libraries have copy machines. |
What is the claimed injury by the RIAA if I purchased an album, rip it to my hard drive and then resell the original album? The artist, record company, distributor and retailer have all been duly compensated by my original purchase. If the claim is my single sale on the used album market somehow depresses new album sales, then isn't that the same thing as Ford arguing that used car sales depress new car sales. In both cases they are correct, but the used market in both industries is still legal. It's interesting that on a site the specializes in used audio equipment that people are so down on people reselling items. |
Highway 61, Your analogy doesn't hold up. You can't sell a car AND continue to drive it. You can sell a cd AND continue to listen to it via a copy. You better believe if you bought a Ford and then started to sell copies of it that they would squash you like a bug.
Nobody is down on re-selling, they are down on reselling and continuing to use what they sold.
You are confused, just as I was because you equate the value of a cd as being contained in the physical object. It is not. It is the data that the disc holds that has the value. When the CD was purchased the artist wasn't compensated for the disc that held the music, they were compensated for one copy of their music. What you buy is not a disc, it is the right to use what is on that disc. When you sell the disc you are giving up your right to use it.
The artist was compensated for a copy. Every time a new copy is sold they should receive a cut of it no matter where that copy came from just like every time it is played on the radio they get paid.
If you make a copy and sell that copy it is illegal. If you make a copy, keep the copy and sell the original it is illegal. In both cases you have taken a legally purchased single copy and turned it into 2 copies.
Do you think it is fair use to use pirated copies of computer software? I bet not if you were in the business of selling software.
How about hooking up to your neighbors cable TV so you don't have to pay? Doesn't cost the cable company anymore to feed to 2 houses instead of one. Ask the cable company and the courts how they feel about that issue.
If you can honestly answer the following question with a yes then you can continue to pirate software with a clear conscience.... If you made your living as a musician and received your income from the sale of your music, would you agree that it is fair for someone to possess a copy of it without having paid for it? |
FWIW, the copyright law article that appeared in the Sept. '05 Stereophile says this about fair use under the Audio Home Recording Act of '92: "Title 17's 'First Sale' provision is intended to limit the copyright holder's control over the disposition of the protected work to the first sale. That is, once one buys a painting, a book, a CD, or another protected work, the purchaser gains the right to sell, give away, or otherwise dispose of the work. If the work is sold to another, that individual then gains the right to dispose of the work, and so on.
"There are some important caveats to the First Sale provision. First, it does not apply to a copy the purchaser makes. For example, if one purchases a CD and then makes a copy (or copies), as permitted by the AHRA, one cannot give away or sell the copies. Second, there need not be any money exchanged for a copyright to be infringed. For example, if one were to copy a book in its entirety and give the copy to a friend as a gift, one would most likely have committed an act of infringement. Ditto for a CD. In other words, if you have ever burned a CD for friend, you have broken the law. While the recording studios [sic -- author probably meant record labels] are not thrilled by this practice, they have tended to turn a blind eye to it. But now it's time to turn to the heart of the matter.
What keeps the record labels up at night is the downloading and sharing of MP3 files...it is an act of copyright infringement to share copyright-protected music over a peer-to-peer network without the copyright holder's permission." As you can see, the question of whether the owner of a copyright-protected work can sell the work but retain copies they've made is not directly addressed. Whether this is the fault of the article, or the law, I don't know. (The article also notes that the Digital Millenium Copyright Act prohibits bypassing copy-protection in order to make copies, but that this is a separate violation and not copyright infringement per se.) If this is a complete representation of the law on the matter, then it seems to me you'd have to make the argument that selling the work while retaining a copy amounts to illegally "giving" or "selling" the copy to yourself for it qualify as a violation, a bit of a logical contortion but then what are lawyers for? I think the main point though is that whatever the law says or appears to say, or doesn't say, law enforcement and copyright holders clearly have never been concerned with situations like Herman's. P2P file-sharing is the issue. |
Zaikesman-
For a more complete discussion of the state of the law, look at the link I previously referenced. Your copy is "legal" because the making of that copy is generally regarded as fair use. The first sale provisions protect your right to sell the original, but I don't think anyone would claim that the copyright act is really abreast of the times. The "gray area" here is whether keeping a copy made under fair use and then selling the original is legal or not and, independent of that, whether or not it is morally right or wrong.
I'm not in a position to tell you it is legal or not. My personal view is that if you got hauled up in front of a court, the court would find some way of deciding that repeatedly copying and reselling different CDs probably violates fair use. Making a copy for personal use and then 10 years later giving away the CD--probably fair use.
And, I would submit that the RIAA probably *is* concerned with this. They have gone after people for all sorts of reasons, and if they found a bunch of digital copies of music on your computer, you better bet you would end up in court. Remember, the RIAA takes the position that even ripping for use on an iPod--whether you keep the CD or not--is illegal. It is all kind of irrelevant whether you would win in the end anyway. Given the vagaries of the law and the well-heeled nature of RIAA, you would probably go bankrupt defending yourself. My recollection is that they generally estimate about $250K to take a case to the Court of Appeals with decent counsel.
Putting aside the legal question, I happen to think it is wrong. You keep saying "they got the money for the CD I bought," and think that justifies your actions. But, neither the record company nor the artist got the money from the sale they didn't make--the sale that they should have made but for the fact that you pre-empted them by selling yours. This is not an indictment of resale--selling it without keeping a copy. There you aren't depriving them of a sale, because you are not a consumer who is willing to pay for what you got. In the case where you are keeping the copy, the inference is that you like it and will continue to listen to it, so you are among those who should pay to hear it.
The other recurring thing I see in this thread is people's view that "heck, I'm just one person, this isn't my problem, my contribution to the situation is negligible." That, in my mind, isn't an answer to the moral question of whether it is right or not. It may be the way you rationalize doing something that is wrong, but it doesn't make it right. |
