Carpener goes to Rounder and Vega to Blue Note


In the revolving door of record labels, Mary Chapin Carpenter has left Sony Nashville, where she has spent her entire musical career, and moved to Rounder Records. Carpenter was seemingly lost at Sony Nashville, more a pop singer than a country singer, they just did not know what to do with her. Clearly, Rounder's work with Alison Krause, who crossed over from bluegrass to an amazingly wide audience must have played into this decision. Carpenter has quietly amassed an amazing body of work, a new start will be a good thing. The new album is slated for a March release.

And Suzanne Vega is moving from A&M to, of all places, Blue Note. One wants to point to the sucess of Norah Jones here, but Jones musical style would seem to have nothing at all to do with that of Vega. In the end, A&M just did not seem to know how to promote or position Vega's quircky work. The Blue Note gig may not be as far out as it seems, given that they have taken a chance on much less commercial franchises than this.

Best of luck to both artists on a new beginning.
128x128viridian
Viridian:

I am sure if I thought about this some more, I could come up with more examples. Also, it makes sense to separate cross over from different genre collaborations.

Cross-over album that worked:

Placido Domingo's first non-classical album "Perhaps Love" - 1981. Note: his other efforts were not very good, this was excellent.

Collaborations that worked:

Metallica "S&M"
Procol Harum "Live with the Edmonton Symphony Orchestra"
Elton John "Live with the Melbourne Symphony Orchestra"

I'll chime in with others later.

Regards,

Rich
Rich, I would repectfully disagree with some of your examples. For instance the Procol Harum Live In Concert is basically just Procol Harum songs with instrumental accompaniment. They did not write a symphony, ditto for the Elton John, no change in genre here. Now Billy Joel and Roger Waters have actually tried their hand at writing symphonic music. I cannot speak to Joel's effort, as I have not heard it, but Waters, while pleasant and derivative enough, is akin to something from a first year music student. YMMV
Marty. I bought "Pay the Devil" while my vinyl rig was down and have only just gotten it running again. The new VM is still sitting to the side and sealed. Based on what you said, it might stay there...

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