Dylan Bootleg Number 8

Sanji, they are quite mixed since they are mostly from three recording sessions, but the best are among the best of any sonics, at least to my ears. I think the sessions they come from are among his very best sounding recordings from a sonic perspective. Highly higly recommended from this Dylan fan.

I have been a Dylan fan for at least 35 years. When I listen to Dylan, I tend to listen to all those great albums from the 60's & 70's that I grew up with. With that said, I am enjoying the Bootleg Seres Vol. 8 immensely. What helped me appreciate this set was the "Meet the Real Dylan" article in the November Uncut magazine which has interviews with the producers and session musicians from each of the albums represented in this Bootleg release. The article provided a real insight into what Dylan was looking to accomplish and that helped put the individual cuts in perspective. I find the sonics just fine, much better than most of the Bootleg Series, given that these are studio out takes and not live performances.

Regards,

Rich

I saw this in the shop today - but the price gave me pause. The package included 3CDs, a 60-page book and other stuff - around $160.

Are there other editions at a cheaper price?

Regards,

The 2 CD set is $20 something list, $14 at J&R Music.

Regards,

Rich

I've got the 3 CD set which is a rip off but as a big fan I had to have it.

I think GareBear might have it wrong as his statement I bought it when it came out reads like he is talking about an older album,no? It's only been out two weeks.

Anybody saying yawn puzzles me,these discs contain a variety of music that covers a fair area of Dylan's craft.
I would agree with him that the "trilogy" is a tad overrated (I'm in a minority that enjoys Love & Theft the best)and as a result I wondered about the quality of the music here.

I was wrong, this is a wonderful collection arguably a wee bit spotty due to the inclusion of the live tracks but the demo's/studio outtakes are very good indeed. It gives an insight how often the energy and directness of a song can get lost in the studio.

As Rich points out this was covered in great detail in Uncut magazine but I tend to think acclaimed as his last three albums have been, they could have been better.The sparser versions of the songs just connect better. Dylan's always had problems in the studio and this set shows why.

Dylan will always live in the shadow of his 60's/70's work but I tell you nobody has left a trail like him in contemporary music and this set enhances that notion further.