Overshadowed by bandmates


I was listening to "Real Time" a live CD by Richard LLoyd, the "other" guitarist to Tom Verlaine in Television. It occurred to me that, while I like Verlaine's style, I ultimately prefer Lloyd's playing. I just didn't really appreciate it till he left the band and crawled out from Verlaine's shadow. This got me thinking. Until he left to start World Party, Karl Wallinger was obscured by Mike Scott while they were bandmates in The Waterboys. Now, I'll take Wallinger over Scott.

Some would say George Harrison suffered this fate, too. I think he was overshadowed by Lennon/Macca for many fans until "All Things Must Pass" and "Bangladesh". Any others come to mind?
martykl
My simple point (seems to have also missed by some) is every band depends on its drummer to keep an accurate (as humanly possible) beat whether they are good as Gene Krupa or as good as The Drummer in AC/DC, or me!, that is not say other members' are any less important.
Funnily enough Jools Holland (amateur piano and not very good) has mentioned that a 'bands is only as good as its drummer', so I am to assume that Mr Holland is not a real 'pro'(although I do not know why the word 'pro' has crept into this discussion, I mean I am a keen cyclist and just because I am no Lance Armstrong does that mean I know nothing about bicycles?) or that Mr Holland knows schock-all about music?
Yeah, drummers seldom get the headlines I suppose.

Not the place to be if you are looking to become a breakout star.

Look at Phil Collins. It was only after Peter Gabriel left and he was chosen to take over lead vocal duties with Genesis that he got noticed.

I never realized how talented Jim Capaldi was until I first heard one of his solo albums.
Speaking of overshadowed drummers, Stewart Copeland was as much responsible for the sound of the Police as were Sting or Andy Summers.

I think Copeland might be the near the top of the list of exceptionally talented, influential, and overshadowed musicians. The Police simply would not have been The Police without his unique sound.

Apologies in advance to anyone who has already mentioned him above.
I agree with the Copeland assertion. I don't listen to the Police as I did during the 80s but when I do I can't help but notice the percussion work going on.
Copeland did a lot of soundtracks - he's got some recognition in that vein. Summers has quite a range outside of the Police as well - his 'Geeen Chimneys' is an interesting listen among others. I've always liked the Police, Sting by default - however Summers and Copleand deserve a lot of credit. Got me through college with a bag of green and a tasty malt anyways. By the way, Roxy Music is a great band - Eno got more credit than Manzanera (he was a roadie at one time) - still great a great group. Good thread to reflect on (under) appreciated talent anyways.