Beatles Remasters: Mono vs. Stereo Debate Thread


On September 9th, the entire Beatles catalog will be released in both mono and stereo remastered versions.

The issue of this thread is simply mono or stereo, and why? I only have the stereo CD versions that were available in the mid to late 1990s. I am too young to remember the original releases.

Until the albums are released, I'd like to get your take on the issue based on what has been on the market up to this point. After they are released, I'd like to hear from people who purchase either the stereo, mono, or both of the new reissues.

What are the pros and cons of the different mixes? Which do you plan on purchasing, if any? Discuss.
blackstonejd
Barrelchief, as of now, mono versions are only available by purchasing the boxed set. Originally limited to 10,000 sets in the USA, now supposedly issuing 50,000 mono boxed sets.
Barrelchief, as of now, mono versions are only available by purchasing the boxed set. Originally limited to 10,000 sets in the USA, now supposedly issuing 50,000 mono boxed sets.

Given that the MONOS seem to be in hot demand and are generally regarded as "better" - what is the chance that the public reaction might cause Recording Labels to actually sit up and take notice???

Here we have a contest between the latest and greatest stereo brick wall limited compression "loud" mastering techniques (state of the art for 2009 and done extremely well - i.e. just the "right" amount of compression according to modern standards) and the old tube based mastering consoles and mono recordings of the 60's??

Would it not be funny if Record Labels discover that people prefer the more natural uncompressed sound of the older material - even in MONO!!!

It would be a revelation, a massive eye opener to the industry if 60's MONO is competitive and judged by many to be BETTER sounding than modern "State of the Art" loud hot compression!
In my last post I should really say more natural LESScompressed sound of the older material - because they were already using tubes and analog tape recorders to perform audio compression - even in those days!
Shadorne, I would think it would have to be a band or artist that could appeal to a large enough fan base. Maybe it might encourage some of the newer artists to put out both stereo and mono versions of their work. My opinion is that the recording industry may raise an eyebrow regarding the Beatles Mono sets, but they won't take any action.