Personally, I think the late 50s and early 60s represented a kind of peak in the recording industry, as tube technology was at its peak in the studio and transistors hadn't yet taken hold. Studios that did a good job pulled out some very sweet, organic sounds that to my ears make a lot of the recordings today sound sterile and lifeless.
Blue Note label is most often good, which represents a heck of a lot of important stuff, as is anything recorded by Orrin Keepnews for Riverside. Just about anything recorded at Columbia in those years sounds pretty darned amazing.
Blue Note label is most often good, which represents a heck of a lot of important stuff, as is anything recorded by Orrin Keepnews for Riverside. Just about anything recorded at Columbia in those years sounds pretty darned amazing.

