Well, Mikelavigne, you have me beaten experientially, and I know this will be forever so.
I tend to think the 5.1 system Samuel mentioned might be closer to what Pink Floyd intended (and would have done if the technology existed in the day), based on their complex stereo mixes, and their use of Holophonic processing on "The Final Cut".
I have always thought they endeavored to make their records completely immersive.
On the other hand, I could be completely off track with my line of thinking.
I tend to think the 5.1 system Samuel mentioned might be closer to what Pink Floyd intended (and would have done if the technology existed in the day), based on their complex stereo mixes, and their use of Holophonic processing on "The Final Cut".
I have always thought they endeavored to make their records completely immersive.
On the other hand, I could be completely off track with my line of thinking.

