How loud do you listen to your music?


Today I decided to take my RS SPL meter and see just how loud my system when I was listening to levels that I perceive to be pretty loud. To my surprise, the nominal SPL was only 70db with peaks going as high as 82db. I had expected the SPL reading to be much higher especially since I thought I had my system cranked up pretty loud. When I put the volume back to where I mainly listen, the SPL was only in the 50-60db range. For whatever reason, this number seemed too low but I do not really have a good sense for what decibels really mean in terms of how loud things are in the real world. Is 60db loud? Is 70db excessive?

So my question is, how loud do you normally listen to your music?
tboooe
Shadorne, my apologies for the tone in my prior response – that was uncalled for.

I have heard a couple of amps drop the lowest level detail from recordings that other amps are quite capable of reproducing at the same volume. It is one of my pet peeves and cannot think of much that annoys me so much … maybe the ex calling me and telling me how wonderful her new @#$% husband is?

Whenever you audition amps, you’ll do yourself a big favor if you also listen to them at very low volume levels. Many so called good amplifier fail miserably.

Regards
Paul
Photon46,

I get to listen to live jazz, classical, & choral music in our university's music department several times a week, and I tell you this: live music of all kinds is LOUD

That has always been my experience...rarely have I heard a concert or instrument played at "conversational" or 60 db SPL level. If you have the best seats in the house then there is simply no way you can have a comfortable conversation even with a string quintet (wind, percussion and piano are usually much louder).

Hearing damage limits are often set very low intentionally. This is because prolonged exposure 8 hours a day (day in and day out) to continuous machinery appears to damage hearing at much lower levels than musical instruments (which are dynamic, less repetitive and usually involve less extended exposure periods).
Onemug I have not listened to a parallel SE/SET amp at any length to really comment. I have listened to a parallel 2A3 on an unfamiliar system but it did sound very good and very natural.

Not an amp where you would need 100db of sound pressure to hear all the details :)
Photon,

Except for very high levels, gun shots for example, hearing loss tends to be induced by fairly continuous exposure. I wouldn't be surprised if some musicians do suffer hearing loss, espcially those who play at rock concerts. The danger of noise exposure is adaptation: It needs to be louder and louder to seem loud.

Set your meter to slow trajectory on the C scale (essentially flat) with 0 dB reference (the middle of the meter range) set at 80 dB SPL, and sit in your customary seat. If the meter runs off scale often (which i doubt it will), move the range up or down as needed. You may be surprised the level is not as high as you imagined.

I've attended lots of recitals of two to five musicians at Stanford, and should attend those at the Music Academy of the West here in Montecito, where they run a master program with noted artists helping advanced students. It's a good way to calibrate yourself.

db
Would some one please tell me if I listen to my 400xi with the digital setting normally at its 45 to 60 at the front read-out, what is the DB that I listen to? My speaker is Paradigm 40.2 bookshelf ( don't know its efficiency level).I use the R/S SPL reading ( w/o the digital reading)but cannot get a steady measurement. Also for the 400xi, 50 to 60 at the front digital read-out equals to what position of the regular rotation knob ?