Rpg,
Jitter is basically a noise in time domain. Applied to one frequency it creates sidebands at very low levels. In spite of low levels (less than -65dB) sidebands are audible being not harmonically related to root frequency. Now, take whole bunch of frequencies (music) and you'll get whole bunch of other frequencies at very low level - basically a noise. Amplitude of this noise is straight proportional to amplitude of music and without music (gap) is zero - therefore undetectable.
My first impression of Benchmark DAC1 that suppresses jitter was that sound was too clean (some people call it sterile or analytical). I had impression that some instruments had to be missing from the recording. I also understand that noisier (or distorted) signal sounds more lively the way that distorted guitar sounds more dynamic than clean jazz guitar at the same volume. Other than that sound is on neutral side - I would not attribute any warmth or lack of it to jitter. Imaging is more focused but perhaps a little narrower.
I don't see warmth as desirable quality. Benchmark technical director John Siau said that overly warm gear can negatively affect sound of instruments with complex harmonic structure like piano making it sound almost like out of tune. On the other hand cold sounding (expanded odd harmonics) gear is much worse. I had problem of brightness until I replaced speakers with aluminum dome tweeters. New soft dome Hyperion HPS-938 are wonderful - neutral and never bright on any CD. Sibilants are still very audible but always clean and natural.
I think that main difference between oversampling or upsampling DACs and NOS DACs is not the sampling itself but filtering. Traditional linear filtering adds pre-echo to impulse. Our hearing is very sensitive to it and getting rid of filter altogether (NOS) or using apodizing filter (extending post echo) might be a good thing. Here is some info on the subject:
http://mrapodizer.wordpress.com/2011/08/16/technical-analysis-of-the-meridian-apodizing-filter/
Jitter is basically a noise in time domain. Applied to one frequency it creates sidebands at very low levels. In spite of low levels (less than -65dB) sidebands are audible being not harmonically related to root frequency. Now, take whole bunch of frequencies (music) and you'll get whole bunch of other frequencies at very low level - basically a noise. Amplitude of this noise is straight proportional to amplitude of music and without music (gap) is zero - therefore undetectable.
My first impression of Benchmark DAC1 that suppresses jitter was that sound was too clean (some people call it sterile or analytical). I had impression that some instruments had to be missing from the recording. I also understand that noisier (or distorted) signal sounds more lively the way that distorted guitar sounds more dynamic than clean jazz guitar at the same volume. Other than that sound is on neutral side - I would not attribute any warmth or lack of it to jitter. Imaging is more focused but perhaps a little narrower.
I don't see warmth as desirable quality. Benchmark technical director John Siau said that overly warm gear can negatively affect sound of instruments with complex harmonic structure like piano making it sound almost like out of tune. On the other hand cold sounding (expanded odd harmonics) gear is much worse. I had problem of brightness until I replaced speakers with aluminum dome tweeters. New soft dome Hyperion HPS-938 are wonderful - neutral and never bright on any CD. Sibilants are still very audible but always clean and natural.
I think that main difference between oversampling or upsampling DACs and NOS DACs is not the sampling itself but filtering. Traditional linear filtering adds pre-echo to impulse. Our hearing is very sensitive to it and getting rid of filter altogether (NOS) or using apodizing filter (extending post echo) might be a good thing. Here is some info on the subject:
http://mrapodizer.wordpress.com/2011/08/16/technical-analysis-of-the-meridian-apodizing-filter/

