Somewhere around 1982 or so is when the 'magic' of high end audio appeared.
that is fancy parts instead of typical parts.. And the prices went with the fancy parts to fancy places..
Prior to around 1982 ALL equipment had cheap RCA female acks. Then they started in on audiophile jewelry, fancy RCA jacks etc..
So maybe no one told McIntosh?
Maybe the old coots at MAC decided all that fancy crap was folderol?
Maybe the tried some and decided no one could hear any difference?
Maybe the fancy ones would not fit, ditto output stuff and they did not want to redesign the chassis just to squeeze in the fancy stuff..
(Since MACs amp output screws are notoriously close together...
On the ARC SP-10 they used the cleap jacks.. By the time they got to the Sp-15 the jacks are fancy..
Change the old cheap jacks to fancy ones depends on if the jacks are hardwire right up to a circuit board. or freestanding in the rear penel as to replacing them.
Hardwired right to a circuit board is tough to change.
that is fancy parts instead of typical parts.. And the prices went with the fancy parts to fancy places..
Prior to around 1982 ALL equipment had cheap RCA female acks. Then they started in on audiophile jewelry, fancy RCA jacks etc..
So maybe no one told McIntosh?
Maybe the old coots at MAC decided all that fancy crap was folderol?
Maybe the tried some and decided no one could hear any difference?
Maybe the fancy ones would not fit, ditto output stuff and they did not want to redesign the chassis just to squeeze in the fancy stuff..
(Since MACs amp output screws are notoriously close together...
On the ARC SP-10 they used the cleap jacks.. By the time they got to the Sp-15 the jacks are fancy..
Change the old cheap jacks to fancy ones depends on if the jacks are hardwire right up to a circuit board. or freestanding in the rear penel as to replacing them.
Hardwired right to a circuit board is tough to change.