Using Bad Recording to Evaluate a System

I had a very similar experience at a hi-end shop. When the owner asked me why I would use the particular cd to demo his speakers I said "if I can't enjoy this cd then these speakers are no good to me." He had no problem with this concept. I've owned several components and speakers that rendered certain cds unlistenable. In fact I once converted my music system to home theatre and it took me six months or so to realize I wasn't listening to music. Why? Because it sounded crappy. I don't think it's impossible to build a system that sounds good with poorly recorded music and audiophile recordings. I see it as a labor of love.

I enjoyed reading this thread ... very good points. I myself have gone from a very mid range system to a much higher end multi-channel, high resolution digital system in the last few years. I now go through my collection of older redbook CD's and just can’t quite re-capture some of the magic in terms of range, depth and clarity. Why? I spent a ton. It was there at one point... I swear it was; or maybe it was me.

Have I been corrupted?

I try to keep in mind that my expectations have changed as my system has gained fidelity. I am getting hooked on 24 bit 5.1 recordings ... even some of the older stuff comes alive. I am now torn between working the system end to re-capture OR reinvesting in 24 bit recordings that have been remastered. The list is pretty limited.

I will say this ... I am getting picky in my old age. I do still listen to "Let it Bleed" and "Zep I" even if it doesn’t have the range and clarity of Diana Krall. For that reason I think you need to listen to the bad with the good when auditioning new equipment; at least bring a few of your older less "glossy" recordings. I do think certain systems/components make older recordings sound worse. That being said, I wont bring along AM radio broadcasts to evaluate either.

Nothing pisses off a salesman worse that having him cue up Deep Purple Made in Japan after he just blew you away with Vivaldi. Even better ... old Neil Young with Crazy Horse on a burned CD (ouch).

Do it ... just for effect.

Sorry Kurt

On of my favorite "take to audition" artists is P.J.Harvey.
Talk about strange sounds emanating from auditioned stuff.
I explain how her voice, scratchy and screechy as it is, with bad miking and all is a genuine test of a system's capabilities!! This is from her first three albums. (Her later albums are too processed to use)
If she sounds all smoothed out.. you know the system is trash!

ONHIWAY I liked what you said the best. I was auditioning the Sony ES601(5 disc) versus the Rotel 965LE with a song that had some hi-frequency glare that only showed up on the Sony. What really helped at the time was I had a mild migraine at the time so this really accentuated the problem. The Rotel still sounds good in my modest system.

One of the reasons I like my system so much (MF 308cd, MF Trivista Int. Amp, Nautilus 802s, all silver wiring, dedicated 20 amp lines and BPT 3.5) is that the old cds sound rally good. Cds from the 70s (Jackson Browne, Van Morrison, & Cat Stevens sound amazingly good). I thought it was the upsampling and the speakers, but don't really know. Why would anyone want a system so "accurate" that most everything sounds lousy?