Holy Crap What have I done?


Ya know that scene in "Aladdin" where Abu the monkey touches the huge ruby of the forbidden treasure and everything goes to hell around them? Well, *that's* kinda what happened to me tonight.

I finally found a Marchand XM9 crossover at the right price from an honest seller, and it arrived tonight. I put it in line between my preamp and amp, and it did both what I wanted it to do and what I didn't want it to do: it improved the "slam" of the bottom end, but sucked all the air out of the music and my system went from a pretty high degree of "you are there" factor to realizing you're listening to music on a good stereo.

Admittedly, I haven't played with the crossover controls yet, but I'll be quite surprised if they can "bring the life back" to my system.

Any thoughts on how to get my system to give me that "I'm in the room with the musicians" feeling again with the crossover still in line? Maybe I need to go to an XM44, or some other brand of crossover?

I should mention I tried the crossover because my nOrh mini 9.0's only go down to about 65Hz -3dB with a really quick downturn to -10dB (around 55Hz at -10dB, if I remember my measurements correctly.) I was happy with my ACI Titan crossoved over at 85Hz, but had read that using a crossover to cut the lowest octave from the monitors would improve the midrange and imaging. In this case, it didn't, interstingly.

I'd sure appreciate whatever thoughts you all have on where to go next.

Howard
aggielaw
Aggie- What John is suggesting is essentially the same approach as the Vandersteen 2WQ. i.e, roll off the bass signal to the main amp with a capacitor/filter and let the main amp and main speakers cover a smaller range. The subwoofer is fed from the speaker outputs of your amp. It works incredibly well, provides all the benefits you are looking for, integrates seamlessly, and you can adjust the filter frequency/crossover point with the W-2 before you get permanent filters. Since you already have the sub which runs off the line level signal, I imagine, maybe you can filter the lows out of the signal as John has suggested, and then run the sub with its own crossover. It would just take making up different filters with diff value caps. Easy for me to say, I can't solder worth a damn, but if you can and have the formula for calculating the values, you could easily experiment. I would use cheapy caps til you find the right crossover and then make up your keepers.
The capacitor input to the main amp is just a line level passive crossover. (Marchand sells those too). With only 6 dB (gradual) roll off it will not provide solid bass in the range above the 65 Hz that you propose.

I would suggest that people try every alternative and pick what they like. That's what I have done, and I ended up with 24dB/oct, HI and LO, with the X/O frequency easily adjustable to suit the music being played.
I want to clarify what was covered by Swampwalker: If you put a capacitor on the input of the amp to give it a first-order high-pass at 65 hz or so, you can NOT run the sub's crossover from the main amp's speaker terminals. This is because this amp no longer accurately covers the range below the crossover point. So you MUST either use a second pair of outputs off the preamp or use a Y adaptor off the preamp output to drive the amp and the crossover ICs.

And yes, this is just a line level passive crossover as Eldartford states. And "just" is the keyword.....nothing less, nothing more.

John
Have any of you played with the inexpensive outboadr crossover fron Velodyne? It looks to be quite powerful for figuring out what frequency and crossover slope works best with a given system. After figuring this out you could get the tweaky audiophile hardware to do the same job. Might be worth picking up a used one if it pops up.
Whew! This is getting complicated, but I appreciate the input. Let me give you guys more history, an update, and then we'll see what your thoughts are.

About 6 months ago I realized my system (http://forum.audiogon.com/cgi-bin/fr.pl?vdone&1107477492) badly outclassed my Velodyne CT-120 sub, so I started looking at alternates. I read about the REL approach to setup, and ran cables from my amp to the high-level imputs on the sub, then cable from the sub's high-level outputs to the monitors. The bass slam and overall bottom end was a HUGE improvement! The problem here, of course, is that the sub in my room sits 4' behind the speakers and a couple feet outside the right speaker, so I'd have to run long (read: expensive) runs of cable from the sub outs to the speakers. Next, I tried the ACI filters, which are 6db/octave slopes, but they didn't produce nearly the effect the high-level connections did. Mike at ACI told me two intersting things: the high-level filters on their subs aren't nearly the quality required for a high-end system (and I think this is true of almost all subs); and that if I wanted a good, steep slope I'd need an active crossover. Hence the XM9 purchase.

I did try bypassing the crossover for my mains and only routed the sub through crossover, and the "magic" returned to my system. It was even slightly superior to what it was without the crossover in line. I did try turning the sub's crossover all the way up to 250Hz, but it produced huge, boomy bass, which surprised me. The crossover should have prevented that. The crossover was a kit, assembled by an authorized dealer, so I suppose it could be improperly, but I'd like to save that as a last resort.

I ordered 2 sets of crossovers today; 65 and 85Hz. We'll see what happens.

As for my setup: one amp powering both monitors and the sub is internally powered. The speakers do have magnificent passive XO's, rebuilt by Jim Salk with the finest parts available in the Murphy-designed crossover.

Thanks for your continued ideas. I'll keep trying your ideas and reporting back on how well they work in my system.

Thanks again!
howard