If I may clarify this debate, yes, "insanely expensive" was not meant to be taken literally, but only as an intriguing and/or amusing title for the thread.
What I was hoping to hear from you were comments on audio components which, on an absolute basis (not relative to income, or relative to one's perceptions) were - by any reasonable standard - very expensive.
To me, "by any reasonable standard" would still leave us with plenty to choose from - all top of the line or "reference" offerings by ARC, Mark Levinson, Jadis, Boulder, Wilson speakers, Pass Labs etc just to name a few.
And "insanely" might even be taken literally if we include full Rives treatments, Rockport turntables, multi thousand $ cartridges or cables and/or anything ever hyped by Harmonix.
For any of these components, it would be interesting to hear whether or not the owners felt they were worth the high price.
Does that help, Mr Tennis?
I am reminded that I did spend the big bucks for a Mark Levinson No 31 in the early 90's something I always thought was worth every penny.
What I was hoping to hear from you were comments on audio components which, on an absolute basis (not relative to income, or relative to one's perceptions) were - by any reasonable standard - very expensive.
To me, "by any reasonable standard" would still leave us with plenty to choose from - all top of the line or "reference" offerings by ARC, Mark Levinson, Jadis, Boulder, Wilson speakers, Pass Labs etc just to name a few.
And "insanely" might even be taken literally if we include full Rives treatments, Rockport turntables, multi thousand $ cartridges or cables and/or anything ever hyped by Harmonix.
For any of these components, it would be interesting to hear whether or not the owners felt they were worth the high price.
Does that help, Mr Tennis?
I am reminded that I did spend the big bucks for a Mark Levinson No 31 in the early 90's something I always thought was worth every penny.

