myles_b_astor
Responses from myles_b_astor
| Classical Record Labels and Recording Engineers... Oooops, you are right. Missed that. Sorry! | |
| Classical Record Labels and Recording Engineers... Apologies if this is a repeat.1. What happened to Erato? Some amazing sounding LPs especially the Messiaen recordings.2. Tony Faulkner. Don't have the original but check out the MHS reissue of Songs From the Fayrfax Manuscript. Sensational and he ... | |
| Matching Koetsu Stone Body Platinum Cartridge Might be late but here are my comments on the Azule Platinum. http://www.positive-feedback.com/Issue77/koetsu_azule.htm | |
| Your favorite LP nobody has ever heard of Roshamon on Carlton Records. Possibly recorded by Robert Fine but definitely cut by George Piros. Laurence Rosenthal and Leonard Bernstein combine efforts to produce an amazing soundtrack and the LP is mind bogglingly good sounding. | |
| TUBES: Telefunken EL84 & ECC801 Ones results will of course will depend on the gear but in my Doshi phono stage the TELE ECC801s rule. Very clean, revealing, transparent and dynamic. Be careful though because NOS sometimes equates to OC (old crap). A lower priced but also very g... | |
| Listening to Kenny Burrell Midnight Blue Difference Bill is that KOB was a three-track recording mixed down to two-track. So there was already a middle channel, though how the middle track is handled can affect the center image. | |
| Listening to Kenny Burrell Midnight Blue Oh yes, the MM release is a darn good facsimile of the tape. Just a little bit missing here and there but the LP ismy still wonderful sonically and musically. | |
| Listening to Kenny Burrell Midnight Blue The answer is that the engineers in the early days of stereo had yet to discover with two track, the phantom middle channel. Most, if not all, of the early jazz recordings suffered from this hard left, hard right/dual mono effect. From what I've b... | |
| WAVE KINETICS NVS Reference Turntable OK, I see what you are saying Lew. I misunderstood the question. Obviously in the case of VPI, the motor/platter comes separate (and extremely well packed) from the plinth and need to be assembled before playing. I'm only guessing but it might be ... | |
| Classic Records vs. Analogue Productions I hate to say it but the debate is moot. Whatever your opinion, and I too have all the originals, there wouldn't be all the turntables there are today without the efforts of Hobson, Chad, Joe and Ron and a few others. They kept analog alive. BTW, ... | |
| WAVE KINETICS NVS Reference Turntable What DD tables have you played with DEV? | |
| WAVE KINETICS NVS Reference Turntable #4. I assume the platter functions like in the Classic Direct as the rotor and can't be separated. But why is that important? | |
| setting azimuth You are better off getting the software from Feickert. I could never get it, despite repeated requests, from Avatar Acoustics. | |
| Collecting Blue Note Jazz Try this site. http://londonjazzcollector.wordpress.com/2014/07/24/guest-post-how-they-heard-it-blue-note-records-and-the-transition-from-mono-to-stereo/ | |
| Kl Audio LP200 ultrasonic record cleaner insights Thanks Peter! :) |