DynaVector DV505 is it worth the hassle?


I have a Garrard 301 with a SME3009 II improved arm. The table is coming back from ZU audio with a new ZU DL103 catridge and their Xaus tonearm cable. While waiting for the table, I happened upon a really good deal on a DynaVector DV505. It looks cool but it appears complicated to set up and use. I'm somewhat of a novice and just joined AudiogoN. Any opinions about the DynaVector arm would be appreciated. By the way, Sean Casey and his crew at ZU audio just blew me away with their level of customer service. Unbelieveable!
eriksdad


Dear Eriksdad,

I have the 507 MK II and assuming that the 505 has the geometry and adjustment features as the 507, I can tell you that this arm is very easy to set up and adjust. It has adjustments for vertical tracking force (VTF), azimuth, vertical tracking angle (VTA) and anti-skating. Unlike some other arms, these settings stay for a long time.

The Dynavector tonearm has seen various upgrades throughout the years, so I'm not sure how the older versions compare to the new one.

The arm looks complex because every setting has its own dial. These dials stick out from the main arm structure. This is what makes setting this arm a breeze.

This is a link to where you can download the instructions for the 505 and other Dynavector products.

http://www.dynavector.com/pdf/pdf.html

Regards,

iSanchez,

Stringreen,
This seemed to be the crux of the question posed by Eriksdad:
It looks cool but it appears complicated to set up and use
I responded that I had no issues with the set up.
The Dynavector 505 is not more complicated to set up than other high quality tonearms. I owned a 505 some years back and had no issues with it other than it's unusual appearance and massive overall weight. The overall weight could be a problem for some "sprung" turntables.
The second part of Eriksdad question was:
.....Any opinions about the Dynavector arm would be appreciated.
To which I responded
problem with the Dynavector is the short (vertical axis) tonearm which is especially sensitive to VTA and record warp due to it's ultra short length. The plus side of the Dynavector is the high mass arm for the horizontal plane, which provides very robust bass with most cartridges I've paired with it.
I addressed the issue of set up, followed by opinion's (both positive and negative) of the 505's unusual design.

How is this odd?
The comment I have is that I think Albert is right. I own a Dynevector XX20 H.O. and it is right on top of the vinyl no VTA adjustment unipivot bearing. The detail is fantastic . So much so that after carefully washing the record with great fluids and brushes on the Dyne machine 3 times it shines like a mirror. Then I play it.Thee noise flor is ok but every dust mite or a piece whatever microscopic debirs that alit on the record during the time i got it going sounds like a firecracker. It is too much for me. I use a highly mdded ARC SP6B with very good NOS and current tubes.
Mechans, You wrote, "it is right on top of the vinyl no VTA adjustment unipivot bearing". Can you explain further just what it is you are talking about? Do you own a Dynavector tonearm to go with your DV XX20 cartridge? I ask because I too have some interest in purchasing a DV tonearm and am following this thread.

Albert, Do you think that the "dynamic balance" feature of the DV507 partially overcomes the potential disadvantage of a short arm wand on a warped LP? (I don't know whether the 505 also sports that feature.)
Dear Erik: As all those post I agree that the 505 is very simple to set-up even is more simple to setup in an arm board because you could need no drill holes to fix it ( of course if you want it you can fix through screws. ), you can do it using only a double sided tape ( like the one used to fix carpeting/rugs.
This is the way that I use it all the time in different TTs and works really fine and you can mount it evrywhere in any surface type.

Now, Albert point out some VTA/warps problems because the 505 design, well I have to say that I never had any single trouble or sound degradation due to what Albert post that certainly he had.

This is a " surprise " to me because a big part ( main ) of the 505/507 design is really that: the very high tracking " resolution " of the tonearm, here it is what we can read in the 505/507 Dynavector manual:

+++++ " Conversely, the
vertically movable sub-arm is made so light that it never lets the stylus jump the groove of even a disk
with warp(s) previously unnegotiable. " +++++

Lewm, both the 505 and 507 are dynamic balance design and as I already write here I never had/have a single trouble about and in all my audio years of experience this is the very first time that a Dyna tonearm owner has a complaint on the subject.

Regards and enjoy the music.
Raul.